Regret is a powerful force of emotion, but it is not easy to depict in poetry. I once left someone I loved to be with someone I was infatuated with. Who knows why we do such things. Years later I found myself looking back on that decision with savage, ravaging pangs of regret.
regret
You may have noticed that the subject is not approached in the usual manner here. Throughout the years, I have been admonished over and over to “just say what I feel” when writing poetry, as if just saying that I have regrets, that it hurts, and talking about what happened to cause them is somehow poetry. It’s not. No matter how I chopped up the lines, this could never create a poem; it could only create prose that’s been chopped into short lines.
Poetry is in part the art of expressing such feelings using only depiction so that he who reads will be overcome by a sense of empathy and relation without ever being asked to empathize or relate. A poem on a subject such as this should manage to completely avoid ever saying anything along the lines of, “I feel regret,” or “I regret XYZ.” This is the job of prose. The poem, if successful, should awaken that regret within the reader as an emotion he can own for himself without ever being told to do so.
In the case of this poem, I use the title to create the expectation of a normal gush of chopped prose on the subject of regret only to seemingly evade the expectation entirely, leaving the last stanza to bring the title home in an entirely jarring and unexpected manner—like the thrust of a dagger.