A Poem About Anything

This poem is extracted from several conversations with my son over the course of maybe a year. All of the dialog herein did actually occur—as best I can recall—and probably more or less in the same order, but over time and with a fair amount of repetition.

A Poem About Anything

This is not a poem about everything,
for everything has been explored,
written about, and published—
                                   at least online.

This is a poem about anything,
for anything is possible, which is
well beyond the scope of everything 
                                   until it happens.

“You can be anything,” I tell my son.
“Even a road or a highway?” he asks.
“Anything within reason,” I suggest,
                                   “as a person.”

He can be a very literal little boy.
“What about a speed limit or route
number sign?” he asks. “Well,” I say,
                                   “you could hold the sign.”

He has yet to separate what he
can one day be from things that are. “You
could also design signs,” I add, “or even
                                   roads themselves.”

“Or US highways and interstates?” He
clarifies.—A very literal little boy.
“And even rail or maglev systems,”
                                   I propose.

“I just want to design roads and highways,”
he decides. “What are those kind of people?”
“Civil engineers I think,” I tell him. “They
                                   design these things.”

“I want to be a civil engineer!” his voice
loud—triumphant with new understanding.
“Sounds good, but you’ll really have to work
                                   hard to get there.”

“Why?” his voice surprised. “You said I
can be anything.” “You can,” I affirm, “But
anything requires work, or you’ll just end
                                   up being something.”

“Just some thing?” he stretches out both
syllables—slowly. “Exactly,” I confirm, “for
something doesn’t require any work at all, but
                                   anything takes work.”

“What kind of work?” his voice seeks. “Well,”
I ponder, “math for one thing. Engineers are
math-magicians.” “I’m really good at math!”
                                   his voice climbs high.

“You are,” I assent, “but math is quite deep,
and you’ve only just scratched the surface.
There’s much more to learn if you’re going to
                                   become an engineer.”

“A CIVIL engineer!” he clarifies, indignant—
A particularly precise boy. “You’ll also need
to be a strong reader,” I add. “Why a strong
                                   reader?” he implores.

“You can’t just build roads and highways
anywhere anyway you like. There are laws.
You’ll need to know them. That’s a lot of
                                   reading,” I explain.

“Too much reading!” he asserts. “You’re
already a strong reader,” I grant, “just keep
reading and you’ll be fine.” “What else?” he
                                   quizzes, eyes eager.

“You’re not going to like the next thing,”
I hint, “yet you’ll need it for anything.”
“I hate writing…” his voice trails off. He
                                   figured it out.

“How else will you present your designs?”
I probe. “I’ll tell the construction workers,”
he determines. “I don’t think it works that way,”
                                   my voice treads lightly.

“Engineers don’t work alone,” I offer.
“You’ll need to present, defend and explain
your designs.” “All in writing?” his voice
                                   a little deflated.

“You can always just be something,” I point
out, “if you don’t want to write. But
it probably won’t be a civil engineer.” “Or
                                   anything?” he checks.

“Well, anything will require strong writing
skills,” I attest. “You can still be something.”
“But I want to be anything,” he stresses,
                                   “so I’ll think about it.”

nose hairs

I have spent a lot of time in poetry focused writer’s groups. These are mostly populated by people who for some inexplicable reason love the writing of Whitman, Ginsberg, and the like. When I get my turn to share my work and hear critiques, these folks generally have only one thing to say, which is something along the lines of, “Just say what you feel, man! Just write what you feel! It’s all about what you feel, man!!” Well, alright, at the moment, this what I feel, man!

nose hairs

they stand in line
  stiff and stark
rank and file
  on the march

merciless soldiers
  raised from hell
heft their siege
  in endless swell

rifles raised
  with bayonettes
they stab their way
  with no regrets

shooting always
  toward the brain
with deadly force
  unfailing aim

for each one pulled
  from out the race
a dozen rise
  to fill their place

marching always
  on the brain
marching till i
  go insane

Unusual Host

This was written for my friend, Alan, in December of 2002. I’ve made a couple of minor revisions before adding it here as a backlogged post.

Unusual Host

For Alan Polson

Much like his awakened and spherical host,
He is often a poised and ethical host.

An ordained Buddhist monk turned registered nurse,
He is both a mystic and clinical host.

Tea, pastries and cakes greet a visiting guest;
This preparedness marks him one practical host.

Walls hidden behind a banquet of reading
Propose he must be a most lexical host.

Undaunted in candidly sharing his views,
Conversing reveals him a critical host.

Long since disillusioned with man’s morbid ways,
His outlook reveals him a cynical host.

Trailing to snores in the middle of speech—
Fatigued, he is rarely a vertical host.

He may start to dream amid conversation,
But awake he remains a stoical host.

Zahhar has known many a host in his time,
But never quite such an atypical host.

This is my 94th ghazal.