When I play with a poetic form that I want get to know for its own sake and hopefully gain some insights from, I’ll often first explore the form in its strictest expression, following its “rules” exactly. Then after I’ve done this a few times, I’ll begin to deviate and explore variations on its structural theme. The ten Shakespearean, or English, sonnets I’ve written are all in strict iambic pentameters, but now that I’m moving through the ten Petrarchan, or Italian, sonnets that I want to write, I’m experimenting much more broadly. I have for a long time not considered rhyme essential to a form’s success, often opting instead to explore various alternatives. Instead of rhyme, this poem uses partial reverse rhyme, assonance, and alliteration in place of the end-line rhyme pattern used by the Petrarchan sonnet.

Falter

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

This is my 4^th Petrarchan sonnet.