Anima Cantus

This poem, my 13th hybridanelle, attempts to depict and convey one of the ways I look at ’being’, what a being is, and how it is connected with its self and other beings. The title is Latin for “mind song” or “psychic melody”.

Anima Cantus

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Publication History:

Art Arena (web-based) — November 2005

The Intertext

The meaning of our existence here on this little ball of blue, green, and brown has been shaped by the birth and death of ancient suns. As we author our brief existence, etched on the papyrus of our world’s surface, we borrow from long established texts—The text of suns long ago extinguished; the text of nebulae rippled in darkness; the text of dust and gas thrown through the void by the blinding glare of a newborn gaze on the cosmos. This is the intertext of our existence, and one day, countless ages from now, some new world adrift in the darkness will spawn sentience, and somewhere therein we will be, silently lending shape to its nascent subtexts.

The Intertext

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Publication History:

The Alchemy Post (web-based) — November 2005

Father

I found myself writing this after dreaming about an encounter with my father’s ghost, I spent that day reflecting on his suicide—when I was ten—and its far reaching impact on my life.

Father

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Cloud

This poem, my 7th villanelle, is inspired by the visual and psycho-spiritual effects of cloudscapes moving up the canyon where I live in Brooktrails, near Willits, California. The clouds rise up the canyon all the way from Willits, which is 10 some odd miles away. They phase through tall redwoods and bold madronas as they obscure plots and houses in heavy shifting mists that reveal and reconceal a hidden world of thought and green.

Cloud

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Publication History:

The Lyric — Spring 2004

Illuminations — Spring 2005

Path by Moon

Inspired by my many full moon walks in the Montgomery Woods, a State Nature Reserve of old growth redwoods about 30 miles west of Ukiah, California, this poem—my 4th villanelle—invites you to leave the wide and beaten path to venture into the mystic unknown of personal exploration. This “path by moon” is a metaphor for the discovery and pursuit of ones own unique path in life.

Path by Moon

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Publication History:

Zephyr (web-based) — May 2004

Acorn

I have for years had a relationship with the spirit of the oak. Specifically the California Black Oak, but by extension all oaks. I don’t think of this relationship in the totemic sense of power animals and spirit guides, but in the animistic sense of a mutual connection.

Such connections can be guiding, and they can also be protective—but to my feeling, this is the decision of the spirits that I’ve connected with, not myself. This is one of the big differences between totemism and animism. The totemist seeks to control his or her spiritual relationships and force their wills. This, like any relationship where one member attempts to manipulate and control another, tends to sour and end badly. The animist seeks only to acknowledge and cultivate those spiritual relationships that sustain a mutual benefit. This benefit can be emotional, mental, psychic, influential, and other. I’m sure the spectrum of mutual benefit is as varied as the spectrum of light itself, and that much of it is beyond the grasp of both participants. For it to remain healthy and unspoiled, it must be cultivated and not controlled.

In this poem, Zahhar (the pen name my screen name here is based upon) receives a gift, a blessing, an unknown—a seed. A treasure. It need not be interpreted or understood, only felt and acknowledged. Such is the nature of those gifts—blessings—offered by our spirit companions. The minute you try to make sense of them, they’ll wither and die, and sometimes even transmogrify into a curse.

Acorn

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

This is my 63rd ghazal.

Publication History:

Muse Apprentice Guild (web-based) — Fall 2003