beads

I found myself writing this in response to a blog post someone made at MySpace, back when I had a MySpace account. She was one of two girls who used to make it a point to sit at my table when they saw me at Denny’s or one of the local coffee houses. I never understood why. When they did, they would strike up completely random conversation. I just entertained them like a good host since I didn’t see the harm.

At some point they found my MySpace account and sent me friend requests, which I accepted. The younger one, while intelligent and intriguing in her own right, had an unusually strong negative streak which she would spill into her blog like an acid.

beads

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

After responding to her bitter tirade with this poem, she and her friend soon lost interest in me. Kind of strange since I was under the impression that they were curious about me because I would sit in the coffee houses or at Denny’s working on poems, which they would ask about. Ah well.

unperched

Some people seem to think of relationships—intimate, platonic, or professional—simply as a means of subjugating others to their will through emotional and/or financial dependency. Such people will encourage you to become emotionally and/or financially dependent upon them so that they can then use this as as leverage.

If you start to act or think too independently of what they like then they’ll distance themselves from you or suddenly become stingy as punishment. And if you persist with such independent behavior, they will eventually sever all ties and bid adieu, convinced to the core that they have just destroyed your life in retribution for not subjugating yourself entirely to their will. But, the reality is that people are more complex than this and, generally, the will to survive and move on is very strong.

unperched

perhaps you forgot that
    birds have wings

perhaps you failed to realize
    clipped feathers regrow

the downy breast will fight
    the storm for freedom

clawed feet will grip a cold
    wet branch for shelter

the beak by night will fold
    in its own soft shield

and by day peck out
    its hard won forage

but never will it probe again
    the ruins of its nest

Confounded

Before starting this poem, I spent several days reading up on various subjects that I felt pertained in some way to tensions and circumstances that not only led to the demise of my marriage, but my choice in women and the types of relationships I get into in general. Subjects included attachment theory and related disorders in adults and children, including some of the methods employed to help children and adults overcome their “attachment disorders”. Along with this I read up on human bonding, age disparity theory, and even read a little about the limbic system, amongst other things—Just things I wanted to know about.

This lead me to reflecting on the nature of play in relation to my early and mid childhood “attachment traumas” and realizing that I’ve never experienced what’s referred to in attachment theory as a healthy “secure attachment”. Secure attachment is what allows a child to feel safe exploring and playing in ways that are constructive and developmentally sound. If there’s some problem with the child’s attachment system, then play becomes more reactionary than natural due to the lack of a secure attachment base to return to. A lot of this stuff made sense to me and jives nicely with my own reflections.

Looking back, I was able to remember enough to realize that one of the first casualties of my childhood was play and playfulness. I was a very serious child, and I tended to use play to express my general state of anxiety, distrust, and ambivalence, destroying my toys and those things I would make with them—with building blocks and Lincoln logs for example—rather than letting them stand awhile, and then tearing them down for the sake of building something else. I didn’t build things for the sake of seeing and enjoying the creative fruits of my labors; I built them for the sake of their destruction.

This was a mode of expression, an enactment of my inner state—reactive play rather than constructive natural play. So, I meditated on this and then wrote my 20th hybridanelle.

Confounded

The stones that should have formed a stable base
  were shifted out beneath your primal needs;
    the wood that should have framed your living place
        splintered from the weight of bitterness and hate
            and left you wailing naked in the wind,
                  ambivalent at best and doubting every trust.

Tremors filled your soul with rolling dreads,
  so that your own creations, wrought with care,
    were shifted out beneath your primal needs,
        reduced to disarray in manifest dismay
            as wooden joists and girders in your mind
                  splintered from the weight of bitterness and hate.

And as you grew, you found yourself unsure;
  you stacked your Lincoln logs and building blocks
    so that your own creations, wrought with care,
        were never meant to last and fell to every blast
            that leveled self respect and left you stunned,
                  ambivalent at best and doubting every trust.

You strove to transfer fundamental shocks
  throughout your play; depicting fell effects,
    you stacked your Lincoln logs and building blocks
        and with profound expression smashed at your discretion,
            every symbol housing hope destroyed,
                  splintered from the weight of bitterness and hate.

Those first potentials of your intellect
  were swept away by rage and disregard;
    throughout your play, depicting fell effects,
        your structures each collapsed as inspiration lapsed
            until you grieved the wreckage of your hand,
                  ambivalent at best and doubting every trust.

And now you limp through life disabled, scarred;
  the stones that should have formed a stable base
    were swept away by rage and disregard;
      the wood that should have framed your living place
          rotted from neglect and left you derelict,
              dwelling in the ruins left behind—
                  splintered from the weight of bitterness and hate—
                        ambivalent at best and doubting every trust.

Endure

Life can take some unexpected turns, and the path to which we have dedicated ourselves may lead through every kind loss and tragedy. But in the end we must simply endure, for life isn’t always easy or fair, and the potential for discovering new meaning and value lies always just ahead.

      Endure

      The path may wind up slopes of ankle twisting shale,
            and over ridges overwhelmed with loss;
yet each step carries on through triumph and dismay.

            The path may weave through swamps and belching bogs,
through alpine heights where acid springs bleed lethal streams and ponds,
            and over ridges overwhelmed with loss,

      only to drop through valleys baked barren by the sun,
            until it rises up again to lead
through alpine heights where acid springs bleed lethal streams and ponds.

            The path may shrink and seem to disappear
through thickets barbed with venom thorns or leech-filled undergrowth
      until it rises up again to lead

      through places not unlike the sorrows known before
            and on through every emptiness and pain—
through thickets barbed with venom thorns or leech-filled undergrowth.

            Through crackled desolation, blasts of rain,
      the path may wind up slopes of ankle twisting shale
            and on through every emptiness and pain;
yet each step carries on through triumph and dismay.

Alone

Tonight I came across a poem blogged by a woman who feels alone and lost, and the poem was basically asking ten ways to none who’s going to save her from feeling so alone. To me it seems bizarre that a pretty lady would have such thoughts, since it’s really easy for women to get male attention. It’s generally a good deal harder for men. However, I found myself sympathizing and commented with an earlier variation of the following.

Alone

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Well, not complete sympathy, considering she’ll be able to land pretty much the man of her choice once she figures out how the whole male-female human interrelations thing works. At least for short durations (most men seem to be unreliable as loyal long-term partners). But, in the deserts of loneliness, it is we who must save ourselves, scraping our way across the barren steppes toward the ever elusive springs of inner peace. I don’t see how another can really save us individually from our own loneliness.

A Lullaby

Thought I’d write my inner child a lullaby. This is my 20th villanelle.

A Lullaby

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

This poem fell out pretty quickly. I came into work about a week and a half ago to discover my schedule had been shifted dramatically. There is a part of me, a fairly large part, that always feels that I’ve just done something wrong and I’m about to be punished miserably for it. I’m pretty sure this is connected to the same part of me that, throughout my childhood, lived in sheer terror of dozens of unlikely events. Events like tidal waves (though living well inland), floods (though not living near a river or flood plain), super storms (though living in a mild climate), and really out there stuff like black holes sucking earth into oblivion. Oh, and death.

These were debilitating fears. When thoughts of this or that potential disaster passed through my mind, my body would go cold with terror. Not just an anxiety that causes fretting and unease, but the sort of fear that whitewashes the mind like hi-beams on a dirty windshield and sends waves of frozen fear throughout the body like liquid nitrogen.

For some reason, the most trivial things can trigger this liquid nitrogen whitewash effect. The night I started this poem, I was told by my supervisor as I walked into the on-duty administration office to clock in that he needed to talk to me. As it turns out, he needed to talk to everyone—about the restructuring of everyone’s schedules. But, in that moment, I was frozen in the headlights, and it took me a couple of days to recover from it. This is one of the long-term effects of thoroughly messing up a child’s mind.

Acceleration

I recently stumbled across Newton’s Law of Acceleration in my readings. It was explained such that I was able to grasp and appreciate the concept. Then I thought of how bound we must feel as a people who have come to more or less understand such things. Here we sit on a speck of dust flung out near the rim of a predator galaxy. There’s a lot going on out there, and all we can do is watch through telescopes the faded light cast from events beyond history.

Acceleration

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Cathedral

There is a redwood State Reserve about 30 miles west of Ukiah called Montgomery Woods. The woods are a series of groves which have been purchased and set aside for preservation by various parties, most of which have been involved in the logging industry one way or another, oddly enough. A friend and I used to visit this park on a regular basis, and we came to think of it as being much like a cathedral. In fact, we referred to the entry into the first large grove as “The Cathedral”. Thus my 8th trisect poem.

Cathedral

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

As I wrote this poem, I read up on the history and architecture of European Cathedrals, dating back to the Roman Empire, and looked for visual relationships between them and various points of interest within the Montgomery Woods. As I did so this poem began to take form with the first segment, “nave”, which is to say, the main hall of a cathedral. This segment focuses on the redwoods themselves.

Then I tried to think of a more complex object of focus for the second segment and thought of the Catholic Liturgies, so “vespers”. But as I finished “vespers” it dawned on me that this was describing a process more so than an object, and as I struggled to find a process to focus on for the third segment, I eventually decided to make “vespers”—the prayerful sounds of nature—that process.

I decided to focus on the “understory” of the woods for the second segment, which can describe anything found beneath the crown of the redwood forest. Slowly but surely, when I closed my eyes and visualized my walks through Montgomery Woods, I began to see relations between the understory and cathedral designs, and so segment two took form.

Rain

This poem, my 19th hybridanelle, is inspired by a series of storms that passed through Southern California when I was in my early teens, probably ten or eleven years old. There were a series hurricanes blowing over Hawaii at the time, and they were so big that they spun off storm after storm into Southern California—And I remember them as waves of storms.

Rain

Come, lend your rolling cover; shade this dry cracked ground,
conceal the tragedy of broken years,
and dim the raging colors that siege a weary mind;
ease the pressure from the pressing blue,
dull the stainless cobalt’s razor hues
which vivisect perception like a blade.

Subdue the cubist concrete, the painted slats of wood,
the swaying glass and steel that mock the day;
come lend your rolling cover; shade this dry cracked ground
with a half-light suited best for ravaged hopes
and gray the glaring cruelty of the sun;
dull the stainless cobalt’s razor hues.

Gather up your mass and spill your shadows down
across the crawl of long distempered hours
and dim the raging colors that siege a weary mind,
dissevered from the rush of tragic signs;
raise from out the waves your phasing layers
and gray the glaring cruelty of the sun.

Immerse this arid air in contemplative mood
until the asphalt mirrors every minute;
come lend your rolling cover; shade this dry cracked ground
where seeds have rarely sprouted into life;
grant a brief reprieve from endless drought;
raise from out the waves your phasing layers.

Fill the world with stillness; play that quiet sound
which puddles every lane with rippled moments
and dim the raging colors that siege a weary mind,
electric bright beneath cerulean drapes,
the overwhelming crush of open skies;
grant a brief reprieve from endless drought.

Break this barren view with drifts of coiled wind,
and let your blistered vapors calm each instant;
come lend your rolling cover; shade this dry cracked ground
and dim the raging colors that siege a weary mind,
trapped within a frozen summer-scape;
ease the pressure from the pressing blue,
the overwhelming crush of open skies
which vivisect perception like a blade.

My childhood was dry and barren in many ways. Barren of education. Dry of hope and potential. I watched it slip away for lack of resources. And then my brain cracked from all the drugs I was forced to take since I was eight, and I ended up institutionalized as a ward of the court from twelve until I ran away at fifteen.

They don’t prepare you for life in these places. What they prepare you for is a life of utter dependency upon the system. If you break free from this in any small way, then this is a degree of freedom, escape, success. I pretty much had to chew off a leg to escape the steel-jawed bear trap of the system—so in a sense I’ve been twice crippled during the process of getting free. Needless to say, as a result, it’s not so easy for me to fit in and be a good little cog in the societal machine. But I’m told this is part of what makes me “unique”, as if this were a good thing.

Rain was my balm during these years, even as a runaway. Knowing full well my sleeping bag wasn’t waterproof, I’d welcome the rain when it came, with something like a sense of joy, or perhaps it was a kind of serenity. I usually found a way to shield myself enough to stay relatively dry, and thereby warm. Sometimes I didn’t and I became a shivering wet sponge by morning. Yet it was my balm, always my balm. Everything seemed so stark and rigid in the full light of day, overbearingly clear. So clear it scrambled my thoughts into confusion. In the half-light of the rain I’d find myself, even as an eleven year old, just at peace.

Origami

Recently, as I reflected on how I seem to resist the best efforts of people to change me in this way or that, I found myself writing this.

Origami

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Indeed I have always resisted obvious attempts to change my nature, especially when the person making the attempt seemed to have something to gain from it. Those who have had the greatest impact in my life are people who just offered ideas, letting me take or leave them as I wished. I think such people felt no desire to gain anything by changing me, and were therefore compassionately offering a piece of information and/or perspective along the way.

Publication History:

Clamor — Fall 2009

blindspot

My 7th trisect poem. Segment one is focused on the thunderhead, or supercell. This is the metaphor for the “thing” that has blinded all sense of foresight for me my entire teenage and adult life, at least since I was 13. I’ve always been amazed by how some people can see a desk job, and through it “see” a four bedroom house, a Benz, and a paid-off mortgage in 30 years, complete with wife, kids, a dog, and a picket fence. All I’ve ever seen is this thundering cyclone. Similarly I find it amazing how some people can look at a pile of wood and see a shed, a new business, or a planter garden, while all I tend to see is just a bunch of wood—and the thunderhead. So, this is segment one, “Erubus”, the realm of darkness and obscurity personified (not to be confused with night—that’s different).

Segment two focuses on the narrow road—in this case the road of life, specifically my life path, or “calling”, as it were, which I do my best to follow.

Segment three focuses on my interaction between this road and the ever-present thunderhead which looms on the horizon (and often much closer in the mind’s eye), sucking “the long horizon from the mind”. So the process depicted here is that of obscuration, brought on by a life of personal defeat and dehumanization.

blindspot

erebus

a million million shades of gray
swim between the land and sky
absorbing every detail into mist

many-jointed shoulders haunch
hulking up against the dome
to scatter shadows out across the earth

amorphous legs traverse the realm
labored with colossal strides
gaping forth an omnipresent maw

and in its belly rumbles deep
the acids of uncertainty
which churn the world into obscurity
 

calling

laid with crumbling asphalt rock or dirt
a rarely traveled path meanders far
across the scapes of possibility

beneath the canopies of ponderosa
along the stony course of waterways
amid the yawn of jagged desert peaks

the way of freedom weaves by dusks and dawns
a twisted uroboros colored earth
wrapped across the contours of existence

boiled in the depths of crawling storms
it rises writhing sharply into sight
a tired trail of chance and destiny
 

presage

colors fold into a distant haze
an open road to somewhere fades from view
lost in many-layered nimbus plumes

long cascading booms convey
a wall of nearing emptiness
which sucks the long horizon from the mind

this narrow road unfolds and turns
to meet the turbid banks of doubt
which cling to every curve along the way

weary legs and blistered feet
lurch and falter on the path
yet swing forever onward toward the void