On a Life Left Unfinished

I met Del Warren Livingston early in the Fall of 2003 online at a poetry forum called Poem Kingdom. He was one of the first people I met and talked with online who took me seriously as a poet, and he treated me like a scholar.

Del passed away suddenly in September of 2005. After more than two years building a friendship, which is something I rarely do, this was a loss deeply felt. He really liked the hybridanelle form I invented, and he wrote several poems using this form himself. Most of them were very well done, and a couple may be found on his memorial page linked to below. So it only makes sense that I write and dedicate a hybridanelle poem—my 14th—to his memory.

      On a Life Left Unfinished

      in memory of Del Warren Livingston (1944—2005)

      A full life’s never ended; it merely passes on
   new inspirations wrought from memories
like stardust filaments that weave the birth of suns.

   Your time had come to shed the mortal dream;
      although you wake beyond our veil as if from heavy slumber,
   your remnants ripple through our half-lit realm.

And if you find yourself reflecting where you’ve gone
   on all you’ve left undone, well just remember:
      a full life’s never ended—it merely passes on.

      We who float within your wake can hardly help but wonder;
   we guess and grope for answers to our loss
although you wake beyond our veil as if from heavy slumber.

   Despair would not become you despite your waning moons;
      you strove instead to leave creative memoirs
   like stardust filaments that weave the birth of suns.

The mystery conceals you like a shroud;
   now left with only memories of all you planned to do,
      we guess and grope for answers to our loss.

      You chanced that every evening would reproduce the dawn;
   unfinished projects bear the keen reminder:
a full life’s never ended; it merely passes on

   a sense of oak leaves newly formed and foals of chestnut hue
      to those who valued more than just your presence,
   now left with only memories of all you planned to do.

The minds you’ve touched remain to bear the human trance,
   yet still your essence drifts in memory
      like stardust filaments that weave the birth of suns.

      Your intuitions leave prospective imprints
   and phase from tangibility as cloudscapes phase from view
to those who valued more than just your presence.

   So long as breath sustains, your friends shall hold within
      the insights you have offered as mementos;
   a full life’s never ended; it merely passes on
like stardust filaments that weave the birth of suns.

   The blood that fueled your living form returns to join our roots;
      your time had come to shed the mortal dream
   and phase from tangibility; as cloudscapes phase from view,
your remnants ripple through our half-lit realm.

I met Del about when I was starting to get a handle on expressing myself and my observations in fairly neutral, non-judgmental tones in poetry forums, and discussions in general. Not fully—not then, not now—but more so than before. When it came to discussing poems, poetry, and poetics in an online poetry forum, it has always been my goal to seek knowledge and understanding while at the same time freely sharing whatever I’ve learned up to that point. However, I’ve had to gain insight into my own ego and insecurities as part of this process, which hasn’t always gone smoothly. So I’ve ended up alienating a lot of people as I’ve struggled to learn how to communicate intelligently, openly, and unassumingly with others.

As luck would have it, Del wasn’t much bothered by my rough-edged, self-distancing gruffness, and he enjoyed batting ideas and information back and forth. I was also at this time finally becoming proficient in my understanding of verbal meter, so our early discussions included much talk of meter in poetry. As a result, he learned so much about this aspect of poetry, which had thus far eluded him, through our dialog that he eventually naturalized it himself.

Much of our dialog took place over his own poetry. He sought out my critiques of his poetry—And he didn’t want the light stuff. For the first time I was able to completely cut loose on analyzing and interpreting a living person’s poetry to shreds without worrying about hurt feelings. It was an educational treat for me, and he appreciated the time I spent critiquing his poetry so much that he actually sent me a check at one point for around $200, which he called “compensation”. Up until his death he also took the time to provide me with detailed thoughts and interpretations on every new poem I wrote.

I am by nature asocial and emotionally distant to people, so it took him some effort to cultivate and sustain a friendship with me. But he did so, and as a result I took an increasing interest in him over time, getting to learn a lot about him as a person.

Part of the reason he was studying poetry himself is that he knew his time above ground was limited at best. Years ago he suffered from a metabolic accident that caused him to very quickly gain and retain a lot of weight. In fact, the accident screwed up his biology in general, and his heart weakened over time from the strain on his body.

He wanted to learn how to use the medium of poetry to tell stories about his life and his inspirations so he could leave something behind that would feel significant to him. In fact, Del self-published a book about a year ago titled Writing into the Sunset, which I have a copy of. He passed away literally one day before sending a second book to print. Hopefully his family will be able to get that book published for him, too, at some point.

I came to consider Del a good friend, enough so that I took the drive down to Tuscon, Arizona last spring to meet him. I spent a week at his house with him, mostly entertaining myself with my reading as I’m wont to do, but the rest of the time having very long conversations with him. I’m glad I went; because if I waited, I wouldn’t have gotten to meet him in person at all. He was a wonderful host who made me feel completely welcome in his home.

One of his friends, Eric Lee, has arranged to have this memorial page setup for him online, which includes a short bio of his life and some of his poems. I hope you will feel moved to go have a look.

Dis-integration

The ephemerality of life and self has been a subject of personal reflection for as long as I can remember. This has given rise to the occasional abstract poem, such as this one.

Dis-integration

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

The Mother

Wrote this while sitting in a Starbucks in the Portland area. A woman sat across from me with her infant child, and I found myself moved by the way she interacted with him—and reflective of the disparity between that infant’s experience and my own.

The Mother

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Anima Cantus

This poem, my 13th hybridanelle, attempts to depict and convey one of the ways I look at ’being’, what a being is, and how it is connected with its self and other beings. The title is Latin for “mind song” or “psychic melody”.

Anima Cantus

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Publication History:

Art Arena (web-based) — November 2005

Matrimony

For the unity of marriage I used Katrina as the metaphor for life’s struggles. And for the survivors of Hurricane Katrina I used matrimony as a metaphor for unity. This is my 12th hybridanelle poem.

Matrimony

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

An Invocation

To me, inspiration is a sacred thing. Without it, the creative soul experiences nothing but frustration and dismay. Some ancient poets were known to incorporate an invocation of the muse or muses into their epic poetry, such as Homer, Virgil, and Dante. I do not plan to write epic poems during my lifetime, though it could happen. Still, I would like to try to invoke the muses for the epic journey of my writing process, which I hope will last the entirety of my life.

              An Invocation

          O grant me rain from out the sounding clouds,
        and flash against the backdrop of my thoughts
      an inspiration wrought by subtle minds.

    Dissolve the soughing haze that clings to all my dreams
  and wraps confusion round my spinning soul.
Unveil the primal light obscured in stellar dust.

  Release creative flow like prismed floods
    that sweep stagnation from my standing sense.
      O grant me rain from out the sounding clouds.

        Lift the heavy doubt that cowers thick and close,
          a fog that saturates in vapid shades of gray
            and wraps confusion round my spinning soul.

          Reach through this cacophonic mental din
        and seed within my harried understanding
      an inspiration wrought by subtle minds.

    Sweep a translucent wind throughout my psychic planes,
  infused with temperate airs to clear the cotton mist,
a fog that saturates in vapid shades of gray.

  Defrost the ice and snow from all my fields,
    the winter-scapes within that numb perception.
      O grant me rain from out the sounding clouds.

        Return decayed ideas to elemental drift
          so they rise again as notions nursed on cosmic breath
            infused with temperate airs to clear the cotton mist.

          Connect me to the place where light is born,
        from where it swells to crest in consciousness
      an inspiration wrought by subtle minds.

    Part confusion from conceptions fallen dead,
  and draw its suffocation off my faculties
so they rise again as notions nursed on cosmic breath.

  Restore the waters of my inmost lands,
    so that my springs will flow with apprehension.
      O grant me rain from out the sounding clouds,
        an inspiration wrought by subtle minds.

          Sing to me invention, and help me learn to heed.
            Dissolve the soughing haze that clings to all my dreams,
          and draw its suffocation off my faculties.
        Unveil the primal light obscured in stellar dust.

This is my 11th hybridanelle.

Publication History:

Art Arena (web-based) — August 2005

Protoculture

During my teenage years, I was a hardcore fan of the Robotech Saga. My teen years were trying times for me, in just about every possible way. My life was under the control of the Los Angeles Juvenile Courts, and I was locked up and subjected to endless involuntary chemical abuse like a lab rat. I was robbed of my potential through this process, and by the time I ran away as a 15 year old, I would have to spend the rest of my life reconstructing what I could of my damaged mind.

This poem depicts the role the Robotech Saga played in influencing me to take a stand against this abuse, which I did by running away and facing an entirely different, yet more controllable, set of dangers. Protoculture is the substance everyone was after in the series, and which was used to power the hyper-transformative “robotechnology”.

Protoculture

mysterious and eternal
            you shot me among the stars
    folded my mind across the unknown
        and for the first time
                    i felt the stainless grip
                of chains and shackles

and i began to tear my flesh
            bruise my bones
    crazed with a wordless desire
        snapping chains against their mounts
                    pain now only a reminder
                freedom or death

imagination was reborn
            behind my glaze
    my soul transformed over and over
        a veritech dodging heavy fire
                    a guardian swooping the foe
                a battloid launching wild salvos

somehow i sensed a resonant power
            a massive generator of hope
    giant invaders sought to capture or destroy
        deep in my battle-scarred fortress
                    and ripping free of my blood-caked bonds
                i reeled and stood my ground

Stardust

We are stardust, the stuff of stars. So everything we experience is star stuff. Our feelings, our hopes, our dreams, our pains, our losses, our deepest sorrows—All stardust. Even infections and malignant growths are the stuff of stars. Everything is rolled up in the same karmic stream of coming and going.

Stardust

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

The Intertext

The meaning of our existence here on this little ball of blue, green, and brown has been shaped by the birth and death of ancient suns. As we author our brief existence, etched on the papyrus of our world’s surface, we borrow from long established texts—The text of suns long ago extinguished; the text of nebulae rippled in darkness; the text of dust and gas thrown through the void by the blinding glare of a newborn gaze on the cosmos. This is the intertext of our existence, and one day, countless ages from now, some new world adrift in the darkness will spawn sentience, and somewhere therein we will be, silently lending shape to its nascent subtexts.

The Intertext

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Publication History:

The Alchemy Post (web-based) — November 2005

Burning the Flag

During a recent cross-country drive across several states, I noticed how many yahoos sported the American flag on their cars and houses, but never bothered to honor it by taking it down at night (it should never be left in the dark) or retiring it once it fades out, cracks to bits, or wastes away.

It dawned on me that this must be how these Americans actually feel about their country and the constitutional ideals upon which it is founded. They may boast and brag about how great America is, but actions speak so much louder than words. You show me exactly what you think the ideals that founded this country are worth when you let the flag that represents them waste away in plain view of the world—Something that once upon a time would win you a citation.

Burning the Flag

Cracked and faded in the sun,
        sported emblems lose their hue,
                unretired and weather-torn.

        Exposure to the elements betrays
        emotional and mental negligence
        to burning disregard for heritage.

                Bumper stickers age too soon;
        paper pride is left to wane,
cracked and faded in the sun

        on well-kept pickup trucks and long sedans
        beside some slogan spouting malcontent;
        emotional and mental negligence

                flies atop the roofs of cars—
        sooty clown-ears deeply stained,
unretired and weather-torn.

        Support is shown as mere velleity,
        a symbol posted like an afterthought
        beside some slogan spouting malcontent,

just another brittle sign
        taking on a dirty tinge,
                cracked and faded in the sun.

        What shone for Francis Key one failing night
        is treated now like any corporate logo,
        a symbol posted like an afterthought.

Freedom flails on autumn winds,
        half-remembered, growing pale,
                unretired and weather-torn.

        Abandoned to an apathy’s pollution,
        the dream Old Glory strives to represent
        is treated now like any corporate logo.

                Banners rip on plastic stands,
        unsaluted dawn to dusk,
cracked and faded in the sun,
        unretired and weather-torn.

        As mildew rots the fabric of the States,
exposure to the elements betrays
        the dream Old Glory strives to represent
                to burning disregard for heritage.

This is my 9th hybridanelle poem.

The Terrible Truth

I have been marginally involved (as in marginalized) with the poetry scene in the Mendocino County area since about 2000. It’s strange how self-proclaimed anti-elitists tend to form their own little elitist circles. And their only bragging rights, really, are that they had enough money to be able to self-publish through a vanity press. Wow. Hmm. How impressive.

Several members of the anti-elitist circle of elites here in the area have tried to pin me to a particular school or discipline, which I’ve felt ambivalent about. On the one hand, this indicates that they’re at least aware of me and perhaps even respect some of my efforts. On the other hand this illustrates that they see my work as beneath theirs because it does not conform to their idea of what poetry should be.

Ah well. Reflecting on all this recently sparked this small write.

The Terrible Truth

Try not to confuse me
   with the Formalist
       the Classicist
           the Structuralist
               the Neo-something

                       I am merely an explorer
                   a piece of yourself left
               beneath the rain-soaked coals
           of a distant childhood
       campfire