When I’m gone

There was a lot of mystery surrounding my father’s death when I was 10, especially when you consider that my only source of information at the time was—and still is—incapable of anything resembling honesty—my mother. I knew he committed suicide, or at least this is what I told. But there was never anything more.

Any attempt to discuss my father’s death with my mother, then as now, invoked tirades of vitriol that still reechoes on perpetual repeat within my mind—“I told your father I was pregnant with you and he said I want a divorce;” “He never wanted anything to do with you;” “Maybe he faked his death and went underground;” Oh, and more.

I was left to fabricate my own reality around his death, especially when you consider that my mother in a very direct way seeded doubt as to whether or not he was really even gone. This created a lifetime of confusion that was only really resolved a couple years ago when my uncle contacted me out of the blue in his old age having learned that he himself did not have much longer to live.

He sent me his death certificate, coroner’s report, and a detective’s very detailed report—he actually interviewed multiple parties, including my mother, and documented his impressions about my father’s state of mind from those interviews, which lead him to believe that he was capable of suicide and there was therefore no need to investigate further.

Thinking about all of this, amongst other things, I realized I wanted to leave some thoughts for my son with regard to my eventual passing. I understand that the human psyche generates a mythos around the passing of a loved one all on its own, but I thought I would guide this a little in relation to my personal cosmology.

When I’m gone

You will not need to look for me
               when I have ventured on
     for I will dream in memory
          till all your days are done

But if you look I think you’ll find
               me high in cottonwoods
     that fork like lightning in the wind
          from out your childhood

You’ll find me where gray ridgetops rise
               above broad seas of pine
     that shimmer greens beneath clear skies
          like echoes out of time

You’ll find me where long breakers crest
               and roll to wide-mouthed coves
     to crash on sands that span abreast
          tall cliffs and alder groves

You’ll find me deep in giant fern
               that glimmers from the shade
     of ancient redwoods, taciturn
          as prayers lightly laid.

But if you look for me in rows
               of sorrow, loss, and care
     that stretch beneath the call of crows,
          you will not find me there.

Blessing #2

When I give a copy of my book away, I usually write a dedication on the title page. Oftentimes this will be a fairly well-known traditional Irish blessing. Other times I’ll use a variation of Spock’s “live long, and prosper,” that includes health and peace of mind—That one would actually be “Blessing #1”, which I don’t have posted. But I’ll get around to it.

Someone I’ve worked with for the last six months is moving on to other endeavors, so I thought I’d pass on a copy of my book as a parting gift, as I’m wont to do. I found myself writing this on the title page.

Blessing #2

modeled after the
traditional Irish blessing

May each new day be brighter
than the brightest day ye’ve known
and each new path be fairer
than the fairest path ye’ve flown.

May all your days bear meaning
and all your nights bring rest
with light and joyful dreaming
that lifts to mornings blest.

It had such an aphoristic feel to it that I thought I might be remembering it instead of writing it—But, no, I couldn’t find anything like this out there in the aether. It’s truly from right between my two big ears.

Wild Cherry

For over ten years now, I’ve tried to write a sakura (cherry blossom) poem every spring. Though I started this poem early in the spring when the trees were still in bloom here in the Reno area, they’ve since greened and gone to seed. As a new parent, it has been more challenging than ever for me to focus my time and energies as I would like, hence the slow writing process. Another thing I try to do every year is to complete a poem on my birthday, which I’ve managed to accomplish here.

Wild Cherry

for Joy

Each hour with you is a blossom
  on a dark wood cherry tree
bursting light from the silence
      of wood grain mystery

Each week that passes between us
  is a twig on that dark wood tree
swaying on gentle breezes
      like foam adrift on the sea

Each season we share together
  is a branch from which they grow
bright as a cloud in the darkness
      reflecting the full moon’s glow

Each year that shimmers behind us
  is a limb that holds on high
moments arrayed in a splendor
      that rivals the dawning sky

And lifting it all like a prayer
  is the trunk that widens through time
rooted in layers of meaning
      that nurture the living shrine

The particular species of cherry used for inspiration here is prunus avium, or wild cherry—sometimes called sweet cherry.

Publication History:

California Quarterly — Summer 2023

Frostlight

Sometimes when critiquing a poem, I’ll try to exemplify what I mean by using unique imagery to replace a more common exposition. I’m not religious person, but what I’ve attempted to depict here is the common idea of “a delight in and a desire for the divine”, which has been stated a couple trillion times by a couple billion individuals throughout history. So, what could such a thought look if it were purely depictive?

Frostlight

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.