Rain

I am guessing that one day my son will begin asking the big questions. When he does, I hope that some of the insights I’ve gained along the way will be of use to him. The only way most such questions can really be answered is via metaphor.

Rain

One day you may ask,
        “What is all this?”

    I will tell you,
as best I understand.

          This is a stream
     fed by rains that fell
                   from the stars.

  We all are streams,
       rolling sliding gliding
    toward distant waves.

  Some tumble from cliff tops;
     some roar down craggy canyons;
 some cascade over boulders;
   some carve out wide valleys;
some slide quietly across grassy plains.

  All converge merge and surge
       into one another, blending
    forever into something new.

              But wait.

          Perhaps these images
  have made you think of water.

              Think more…
                                        Light.

     We rained down from the stars.

Light

This was meant to be my son’s 2nd birthday poem for last year, but I had so much difficulty with figuring out how to approach it that I ended up abandoning the effort while I still had time to write something else, which led me to compose “Lines to My Son” instead.

Even after a year of visiting and revisiting this poem, recording notes, and writing and scrapping lines, I still found it difficult to figure out how to approach putting it together right up to the last word. There are two things I wanted to tie into it: One, a series of first-time events leading up to my son’s first word; and, two, his fascination with all sources of light right from the first time he opened his eyes.

Light

The first time I saw you
is when you first came to light.
You breached red shadows
and struggled for breath,
managing only a strangled
wheeze—your first breath
constricted by thick meconium.

Your eyes were squeezed shut
as nurses vacuumed tar from
your bronchia, clearing the way
for air to brush past tiny round
leaves deep within your chest.
Then for the first time you cried,
a sound that rattled, lightly shaken
from your inmost branches.

Wrapped in sterile rags, you
were handed to me, and for
the first time I held you, peering
down into your face. I saw there
in your pure pink features, light
radiating from some place beyond
time, reason, comprehension,
piercing through to the deepest,
darkest caverns of my being.

Unsure how best to safely set
you down, I passed you back
to the nurse, who placed you,
tightly wrapped, in a sturdy
wooden bassinet. Exhausted,
you drifted off to dream new
shades of light for the first time
outside the womb, eyes still closed.

When your eyes did open, I was
there, waiting for that first look
into your uncolored gaze. You
took slow sips of the world, orbs
rolling around the nursery until
finally they settled on the wide
amber light that warmed your blood.

After a few days, once your mother
recovered enough, we took you home
and saw to your needs. Meanwhile,
you dedicated the bulk of your efforts
to the arcane arts of movement,
struggling against gravity until at long
last you rolled for the first time
from your belly to face the light.

Before long, you began to discover
deep in your solidifying soul
a hidden power, a resonating
determination to pull yourself up
from prone toward all those many
lights that drew your eyes. You
began with the smallest motion, yet
for you still an effort rivaling colossal
feats of Olympian might. Then
after weeks of training and strain,
for the first time you sat up
                              all on your own.

You looked surprised at first, not
quite believing your success,
then slowly you looked up, face
gleaming a smile of pure triumph,
a hue that soon returned to radiant
resolve as you set your mind
to the enormous task of learning
                                       to stand.

Months passed. You mastered
the craft of rolling, crawling and
laughter until one day I looked
and for the first time saw you fully
upright at the edge of your playpen,
eyes vibrant with concentration,
knees wobbling. With one hand
you steadied new-found balance.
The other reached up toward
light that fell from the floor lamp.

Perhaps on finding your feet
you began to realize a sense
of potential, for your first few steps
soon followed, shaky, arms
outstretched, fingers feeling out
the way. Often you would let go
and for a moment stand free,
wavering like an aspen before
collapsing back to your bottom,
eyes cast up toward visions of light.

Time phased and shifted behind
my sleepless eyes, then suddenly,
in the middle of the living room,
through epic endeavor you rose
to your feet and took three small,
trembling steps across the floor,
hands grasping at only the air. As
you returned to hands and knees,
you lifted your head to study three
bright bulbs suspended beneath
the blur of ceiling fan blades.

Slowly, your steps grew stronger,
more steady. You pushed a walker
this way and that, reveling in your
newfound powers of ambulation.
It was around this time we realized
your amorphic syllables had begun
to take on the first hues of language,
for every time you entered a room
you would point to the fixture
centered in the ceiling and exclaim,
                                   “Aaiyta!”

Which a few weeks later we finally
discerned to be your first real word,
                                    “Light!”

My hope was to elicit a sense of wonder and amazement from the reader similar to what I experienced as I witnessed these first-time events myself without once having to use an, “I felt blah blah blah,” expository statement toward this end. I don’t feel confident about the outcome, however. For me, all poems are a work in progress, so there is every likeliness that I’ll one day come back and try to improve upon it.

There is still some time to spare before his 3rd birthday, so this may or may not end up being this year’s birthday poem. I’m hoping I’ll find the time and inspiration to write something else instead, but we’ll see.

At the edge of language

The poet—the serious poet—spends considerable time walking the hinterlands of language, exploring that boundary between the obvious and the unintelligible. What the poet brings back from the edge may allow readers the unusual experience of ascribing as much, or even more meaning into the words than were ever actually inscribed. To say more would defeat the point of the poem itself.

At the edge of language

Sometimes I catch a glimpse of her
here, where uncertainty swirls into
     mystery, magic, meditation.

What few trees still stand are dead,
black, misshapen skeletons reaching
out through thick mists. This one
might have been an elm once, or
maybe an oak.
                    There is no way to know.

Boots sink into long dead leaves
and grass, submerged to the ankle
in brown, half decomposed meaning.
Every step is a matter of deepest
                                    contemplation.

Something slithers by, almost…
almost catching the eye, a thing
that feeds on detritus left when words,
thoughts, histories fade from memory—
all shapeless within its long, lean gut.

As I carefully lift one foot from a suction
that seeks to make me one with all
things forgotten and lean the other
into a slow, pungent belch, I’ll catch
a glimpse of her, moving in the mist,
part gleam, part shadow, part
understanding. I can almost make out
legs shifting beneath a gown, possibly
a face, and then she’s gone.
                                               I’ll pause
as my weight settles to a fading hiss,
and after a moment call out. There is
never an answer.

                            Still, I come seeking.

the hermit

One who aspires toward greatness will eventually find himself alone, peering down on the valleys from which he began. Very few will ever seek after him, and if he has even an ounce of sense, he’ll dash the hopes of those who do and send them back down to the valleys below.

The imagery here is taken from stories of poets in ancient China leaving public life for a very simple one, alone on a mountain. Friends and acquaintances would occasionally make the hike to visit them, bringing tea, and a few supplies. These hermits often continued their creative pursuits there on the mountain, needing little more than ink, brush and parchment.

the hermit

i have lived here for years now, here
in this alpine vale, high at the head
of a deep ravine that forks and branches like
lightning, scoring a third the southern face.

at this altitude one must face the sun
or a simple hut will bear no comfort
against the cold. one must gather wood
for the night when pines shade the noon.

in those days i left smoke-filled valleys
for vistas that every day catch my breath.
my feet have spun trails like a spider’s
web, spiraling out through the trees.

my hut, a lean-to really, is but the most
meager of commodities. a hundred yards
this way a hole collects my dung. before
long it will be a hundred yards that way.

every few months a face appears, bobbing
amid the trees as an old acquaintance
seeks me out for conversation and tea.
they no longer ask when i will return.

they bring ink and parchment and take
with them what thoughts have occurred
as i dug up roots, picked wild grains and
berries, chopped wood, or simmered stew.

they tell me these thoughts have found
a following. once in a while a new face
bumbles into camp, seeking the elusive
spring that slaked some thirst within them.

i offer what little i have, and they ask about
the old poet who lives on the mountain.
gently i suggest they may have lost
their way and in the morning point to a path.

i tell them it leads back to the world below,
describing landmarks and hinting at failure.
for too many pilgrims would leave me starved
and dying come winter. they only ever come

with palms stretched open—empty. a red
squirrel barks warily, a brown jay swoops
and caws, and i turn back to meditations
that ultimately yield a small fire that warms

my bones and licks inky shadows dry
on a piece of parchment while i nod off
to the sound of wind or rain—or to the all
pervasive silence of falling snow.

In many ways, this forms a half-decent metaphor for the reclusive being I’ve become myself, one who still seeks to continue his work as a poet.

Anima

The imagery here is drawn from an undated journal entry, which is itself likely drawn from a dream. In recently reading it over, I thought that it could be turned into a poem, and so I gave it a whirl.

Anima

She emerged slowly, like sun
through mist, and walked toward me.
Her eyes were the color of ice
from deep in an ancient glacier.
Her hair fell in waves around slightly
freckled collarbones like late summer
grasslands rolling in the wind.
                                                  She
raised arms and placed slender
fingers over my shoulders, tilting
bright brows forward as she looked
me in the eyes. Like an aspen leaf
on the gentlest breeze, I trembled,
entranced, overcome. Why would
something so beautiful, so perfect,
emerge from the fog of my life
to find me?
                    There was no time
in the fog, only moments, uncertainty.

In the moment she emerged and lay
cool hands to my skin, insight.

            “Who are you?” I asked. She
only cupped one hand behind my neck,
the other behind my head, and pulled,
gently, until my right cheek took pause
in the curve of her neck.
                                        Here I could feel
her pulse against my jaw, my lips. It felt
like stories, hints of long ago carried on
the bright blood of time to now. It moved
with the cadence of what could be, what
has been.

My blood, so long subdued by the ever
present mist, stirred. She pulled back,
slowly, and with the faintest smile
glowing from her cheeks like the moon,
turned away, taking my right hand.

“Now that you have found me,” she
finally spoke, voice like a still, slow
stream easing over rocks and pebbles,
sliding among grasses and alders, “I will
always be near.”
                             “Always.”

I took my eyes from her flowing figure,
from the curled sunrise of her hair,
and saw, for the first time ever, shapes
take form in the mist.

                         It was beginning to thin.

I’ve had dreams like this throughout my life as far back as I can remember. The mood and feeling of the dreams were always similar, though the face and form of the woman would change. It has occurred to me that she could represent my anima, that feminine aspect of a man’s psyche discussed in Jungian psychology. The title could just as well be “Sophia,” as this is the term used for Jung’s final phase of anima development, and I feel the figure in this dream could represent a degree of integration with Sophia, a process that has been ongoing for many years.

Luminance

Stars and consciousness have so many parallels to my mind. Both form from an accretion of nearby matter. In the case of consciousness, it’s psychospiritual matter. Both condense to a state of hydrostatic equilibrium. In the case of consciousness, this is the ego. Both generate a sort of radiation and light. In the case of consciousness, this takes the form of awareness and understanding. There are more parallels, but they become more difficult and abstract to explore. Suffice it to say, I see the sun in the eyes of my child, a star growing ever brighter and more radiant.

Luminance

I see in your gaze

                                the Sun,

            tremendous light cast
from the ancient spark of being.
Your face is the uneclipsable
corona of life, and it burns away
            the heaviest fog.

Your laugh falls from the skies
an all pervasive warmth that
raises the downcast petal. She,
no matter how fatigued, stirs
            and lifts smiling eyes.

      Even your tears flare bright,
cries erupting long wide arcs
of plasma deep into darkness,
ultimately to rain down meaning
      on the harshest,
            most distant climes.

            Yet,
when you call on the sacred name,
voice lapping like small waves
on distant, star-lit shores,
in that moment, when your thin
lips part and form with violin vowels,
“Mama,” I see in your face, full
with the scents of autumn,

                                the Moon.

Year of Paradox

In a strange sort of way, it’s like coming full circle—but back to what? I don’t know. 35 Julys ago, my father committed suicide. He was 45. Today I turn 45, and I find myself in an incredibly pensive state of mind. It’s not that I fear I’ll end up like him. I have a small child of my own now. I know better. It’s more like for the next year, every day will be a reminder. Every single day. Here I am, alive. Here I am, living my father’s final year—well, part of it. He didn’t make it all that far into his 45th year.

I don’t know. I’m in a state of melancholy right now. Not a state of depression, just melancholy, reflectiveness, bewilderment. Yes, he was abusive, and absolutely terrifying. Yes, he was controlling and incapable of recognizing that a child has only just arrived in life and doesn’t yet know anything. Yes, he didn’t teach and explain, but punished and terrorized. Yes, he came home only after the bars closed and woke us from our sleep and yelled, screamed, dragged us around the house and punched holes in walls. Yes, he had terrible, terrible flaws. But, he was my dad and he also showed love, tenderness and compassion. Did he think I wouldn’t care? Was he trying to hurt me? I don’t know. I really don’t know. And I know I’ll never know. Never.

But what I do know is this. For me, this is a year of paradox, like going back in time or into an alternate reality and meeting myself, my dad, or someone that looks like him or me, and stepping into an entire year of life that is not my own, not his, not anyone’s. Just a crushing and unsolvable paradox.

Year of Paradox

Now begins another year,
    and not just any other year.
  This year begins the paradox
      of all the years that came to now.

Death began this very year
    when years had barely taken root
  in crackled soils of years to come,
      now finally tapping that year of death.

Life burgeons branches into years,
    each year sprouting foliage
  that casts upon the years below
      a shadow reaching for years of life.

New years wax within the mind,
    years of rocky, raw potential,
  but even these are bound to years
      spent fearing years of nothing new.

Old years fade from memory, but
    not the year you formed a noose
  and strangled out all years to be,
      haunting through the years of old.

Beautiful Things

I started a Spenserian sonnet over a month ago—or is it two? But I can’t figure out how I want to proceed for the moment, so I’m going to manifest a few smaller ideas in the meantime.

Beautiful Things

Beautiful things go bloom
    in the night. Concussive
        shockwaves fan out to
    shake my bones and rattle
my humours with spasms.

Beautiful living things bloom,
    blasting silent explosions
        into my flesh as ashes
    of new beginning settle
in my convulsing lungs.

Grasses bang tiny blooms
    on the valley floor, as do
        conifers high on rocky hills.
    Everywhere perennials bolt
and burst blooms of every kind.

Cherry trees explode fireworks,
    ten thousand little blooms
        shifting beneath the moon,
    but these only fill the chambers
of my heart with quiet joy.

Why all the explosions? Some metaphors connecting with allergies and asthma.

Suicide Note

This is inspired by the barbaric tradition that exists in some cultures of marrying off young girls into what is basically a life of servitude and sexual slavery. I’ve focused on Afghanistan for the purpose of this poem, one of the worst countries in the world to be born a woman, according to several sources.

Research into this practice has revealed that girls are married off as young as 5 in Afghanistan, but this poem assumes the voice of a girl who would have been married off between the ages of 11 and 13. Since it can be assumed that an Afghani girl, denied any access to education, will not be able to write such a note as this, imagine instead that she gained access to a recording device and left these final thoughts for her husband.

Suicide Note

i

My Dear Beloved,

When you find this,
                                I will be gone.

                Your brothers will have
        dragged me from our home
    by the hair and cracked open
my skull with jagged grey stones.

                                I will be dead.

I know you will not miss my presence,
            my face, my touch, my words.
    You never saw me
                    as more than just fertile ground,
                a place only to sow your rage.
        So many times you broke
that soft ground, driving in your plow
    again and again till blood welled up
                                    from the furrow.
            Even when life took root,
        you continued to drive in your plow,
                turning gentle red shoots
                                    back to oblivion.

    I am there now,
                                with my unborn.

                And into that oblivion
        I will have also taken your seed
                            and your plow.

                                                Yes,
        you will have taken tea
from my hands, just as always. Except
    this time laced with crushed dreams
            from your father’s private stash.
                        As you slept,
                I will have tied off your malice
with the tenderness of a lover,
            then with one sudden flick
                of my slender, scarred wrist
    I will have spilled all your seed
        and unhinged the plow forever,
                            leaving only the ass.
 

ii

My Dear Beloved,

I was but a child
                            when you took me
        from my home, my family.
    The smile of innocence still lit
            like a lantern my small face.
                Dreams of self determination
                        still shone like a beacon
                    through my pearl grey eyes.

    Now years have passed
            in the confines of our union,
        wishing on stars through the open
                window when summer nights
cooled the oppressive heat of day.
    It has been so long here, hidden
            away behind these dusty, dull
        tapestries, that I hardly remember
                                    the feel of sun.

    I am sure I must be a woman now,
                    or nearly so.
        But is a slave even human,
                        never mind a woman?

Somehow the entirety of my existence
                    had become payment
        for a debt older than the elders,
                debt my family owes even now,
    debt still owed by nephews yet to be.

    When I overheard your first wife
            complain that you were to wed
                        yet another child,
years of black despair turned
        to blinding white purpose.
                I would protect that child
                    from your relentless hunger,
                                    whatever the price.
 

iii

My Dear Beloved,

If I succeed in my final act,
        that poor child will be saved,
                                    at least from you.
            What reason would you have
                                for a fresh new field
                without seed to sow
                        or plow to till?

                            Perhaps now
            in the truest spirit of matrimony
                    we will share in all things.
        For you will know my pain.

    You will wear like a flame
        the withered rose of my shame.
                You will bear my despair
            through to your last breath
                    as demurely you peer
from the palpable shadows
                            of my isolation.

    My hopelessness will chew
        through your stomach
                and every time you catch
the eyes of a brother turning away
            my terror will gnaw
                    at your weakening bones.

        You will hold my grief high
    like a torch in the night
            and my sorrow will whittle
away at your flesh until your cheeks
                sink in to reveal the full
                    extent of my trauma.

            Yes, my dear husband, you
will wave the banner of my defeat
    over your head, each day filled
        to bursting with my endless
                dread. And no matter how
            hard and long you scream
    to the stars, Allah will never
                    bring peace to my rage.

I hope for an end to this barbarism, and I hope that all who suffer and endure this horror will be freed from their bondage and some day know peace.

Wail

Sometimes his cry would shriek through me and tear at my bones. There would be moments where I was sure I was going to go insane as I tried in my clumsy way to find and meet his need. But there were other times when I was just moved… Moved to the point of tears and chest-splitting empathy.

Wail

Your cry is the sound of blue
         swallowtail butterflies
ever so slightly teasing the wind.

With every tear-streaked shred
      of your being you call out,
red-faced, to your maker—Hear
and heed what I know
                       no words to ask.

But all I hear is the beauty,
   the flicker of painted wings
bobbing amid bunchgrass
   and tall desert dandelions,
      singing a call to nectar.

Sunrise

Malaya will be one year old on the 22nd. I am going to try to write a poem every year to commemorate his birthday. As it occurred to me that he may one day want to hear about the circumstances surrounding his birth, I decided that his first year poem could serve as an archive of memory and impression as much as a commemoration.

Sunrise

You were born in starlight, stardust
   congealed, commingled with blood,
under the harsh, cold fluorescent
      glare of breath, suffocating for air.

It was the shortest night of the year.
   Your heart began to falter in the warm
red canal, so we nodded our assent and you
      were cut from the belly of mystery.

First light had not yet grazed the east
   when you were lifted, barrel-chested,
from your ancient, ancestral pond into
      cold, thin, arid space. Your round

orbs hid behind frail pink lids, squeezed
   so tight your nascent dreams moved
etched against them. And your face,
      it was wrinkled with screams,

yet no sound passed your uncut gums.
   A latexed finger reached in, swiped
meconium from behind tiny tonsils, and then
      you rattled a brief, panicked wheeze.

The dimmest of stars fell back into night,
   the space between ever so slightly
lightened. An amber tube snaked down
      past those tonsils and pulled up thick

green fluid, and when it finally returned
   you struggled with all your might
to slake some unbearable thirst for meaning—
      A quavering cry spilled from your lips.

The faintest whisper of halo gathered
   along the rim of eastern hills. Thick silver
scissors appeared in my hand as pale
      white gloves held you still. A voice

broke through my wonder, “You cut, Dad.
   You cut the cord.” I trembled—dizzy—
starting to comprehend your fear, but I
      couldn’t say, “No.” The now of this

moment already began to phase into then.
   Stainless steel bit down on that organic
corridor you followed from far-away realms
      of dream into being, cutting you free.

You were cleansed, briskly, like an old doll,
   swaddled in bright white towels, then
passed into my uncertain arms. Warmth
      of your newness pierced through me.

From the hills the halo gathered strength
   and began to lift—More stars drifted back
behind its veil. In my arms you drifted back
      to sleep, exhausted by the large ordeal

of becoming. A wooden bassinet wheeled
   out before me, transparent walls rising
from sturdy, light-grained panels. I balked,
      unsure how to lay such perfect frailty

safely down. Slender hands, showing
   signs of age, grace and motherhood
reached out to guide, half lifting from my
      arms your towel cocoon. Tiny round

nostrils peered out from the layered folds,
   drawing silence from well-trained chaos,
exhaling stillness as I wheeled you along,
      trailing behind a periwinkle gown down

sterile corridors through a series of wide,
   magnetically sealed doors to a room
where tiny round nostrils peered out from
      staggered rows of white, cotton cocoons.

A pale, pale blue began to follow the halo
   upward as more stars returned to dream.
You were cold, I was told, and so your
      wrappings were opened and your ribs

exposed to a deep, amber herald of the sun.
   This awakened you, and for a moment
you explored motion in this strange new
      atmosphere with tightly curled fists.

Then again you slept, afloat on darkness
   beneath clear light—a solitary leaf curled
perfectly still on the dark mirror depths
      of a pond. I watched you in your infinite

quietude, hardly drawing breath for fear
   of disturbing those waters. After a time
you woke, or perhaps dreamed, and you
      stretched out a nearly translucent palm.

With the last knuckle of my finger I touched
   the inside as lightly as first twilight winds
touch high summer glades. And, perhaps
      in reflex, your fingers closed around it.

The blue deepened, now only a few stars
   left peering through thin archipelagos
of cloud. I froze in contemplation, studying
      every detail of your glowing, coral pink

digits. Studying, until my arm grew tired
   and trembled, stiff and numb—Until I could
no longer sense your grip through the pins
      and needles that gripped my limb.

Then you let go, grabbed your folded
   thumb, and were still again. I leaned back,
lightly rocking the light tan chair reserved
      for new fathers to fill each exhausted

moment with new life. A fresh pair of eyes
   periodically floated by to check your core
temperature. I floated in and out of dream
      until you were lifted from the warmer

and returned to your light-grained bassinet.
   News came that the seat of mystery
had been resealed, and its bearer now
      recovered, resting. Time had come now

for you to know her warmth, smell her sweat,
   and taste the nourishment of perfect
comfort. I watched your face, still squeezed
      shut, as we wheeled down stark,

sanitized corridors to where she lay—half
   sleeping—covered to her neck by brown,
raveled blankets. The heavy frame rose, half
      lifting her petite frame to receive you.

Her gown was opened, the last two stars
   of night inversed on the sepia mirror of her
chest. You were placed in the sky below them,
      and, drawn to yellow light from those dark

stars, you latched on and drank deep of life
   -giving rays. Tall cottonwoods, ornamental
maples and broad, flat rooftops emerged
      from halflight into color. As you finished

the first meal, western peaks gave praise
   to the sun. You slept, rising and falling
on the breath of that flawless sky. And she too
      slept, exhausted by the long ordeal

of bearing a son. Shadows pulled back across
   the valley floor, light creeping into every
crack and crevice, sifting down through leaves
      and window blinds, settling silently across

your round rosy cheeks. Though my own eyes
   wearied, I stood watch, only closing my lids
enough to wet the hot, dry sting as morning
      rose like a blossom, and all things were new.