Stormlight

As a runaway teen, one of my rules of thumb was to never sleep where anyone I had gotten a ride from suggested I sleep. I didn’t like the thought of strangers knowing where I would be during the night. I had no way of knowing how twisted such people might be, nor the sort of twisted company they might keep.

As I wandered the States for nearly two years, I normally slept out in the open, up high out of view of any nearby roads, or in dense woods or thickets. But sometimes it rained. I didn’t have a tent, though in retrospect I can see that it would have made sense for me to have at least toted a tarp around.

It was usually when it rained that I took my biggest risks in choosing a place to sleep. With dry weather, it was easy—just bed down away from people someplace out of view. But rain changes the situation. The human urge to stay dry is based on the fact that the body loses heat much more easily and rapidly when wet. And aside from this being unpleasant and discomforting, there’s also the very real threat of death from exposure.

Still, I generally considered the threat of being discovered as greater than the threat of freezing to death. People act on unpredictable urgings. They can leave a victim with fewer options than a little cold and wet might. So it would have to really be storming, and cold, before I’d consider passing the night in an abandoned, or empty, house. Much less a place suggested by the last person to give me a ride that day.

This poem, my 3rd hybridanelle, attempts to depict the experience of passing the night in just such a house. I didn’t sleep well that night—not so much because of the intensity of the storm as because a total stranger knew my whereabouts that night.

Stormlight

Frantic flashes illustrate my view,
        Random moments shot into the light;
                Thunder crushes every hope anew.

        I pass the night in a frail abandoned home,
                A weary vagrant teen deprived of will
                        Awaiting the dawn within its quaking hold.

                                Visions strobe throughout the empty room,
                        Shadows briefly singed by every bolt;
                Frantic flashes illustrate my view.

                        I curl within my bag against the wall;
                There’s nothing left for the winds to rip from me,
        A weary vagrant teen deprived of will.

Etched amid the suffocating gloom,
        Monster clouds roll black against the night;
                Thunder crushes every hope anew.

        I’ve struggled to grasp what life could ever mean
                As memory and mind are stripped away;
                        There’s nothing left for the winds to rip from me.

                                Leafless limbs are drawn in sepia hues;
                        Stark against the darkness of my thought,
                Frantic flashes illustrate my view.

                        I watch and listen, numb and half-aware,
                My slumber but vivid streaks of fitful dream,
        As memory and mind are stripped away.

Anxious waiting constantly resumes;
        Shocked repeatedly from fugue to doubt,
                Thunder crushes every hope anew.

        I try to manage what rest I can redeem,
                Protected from the storm by shifting frames,
                        My slumber but vivid streaks of fitful dream.

                                Desolation roars the whole night through;
                        Forces seem to tear the world apart;
                Frantic flashes illustrate my view;
        Thunder crushes every hope anew.

        Uncertain shadows pose in countless forms;
                I pass the night in a frail abandoned home,
                        Protected from the storm by shifting frames,
                                Awaiting the dawn within its quaking hold.

Inhumation

This poem, my 2nd hybridanelle, reflects on what it was like for me to be “inhumed” at the Camarillo State Hospital between 13 and 14. There I spent a year on the children’s unit, a locked ward with cinder block walls and heavily grated windows.

The title is meant to convey the sense of being killed in spirit, mind, and soul as well as the sense of being entombed (inhumed), alive only physically. I also wanted it to hint at the sense of being dehumanized (inhume—inhuman—dehumanize—inhumation), though this is not a denotive definition for the word. The scheme of indentation is meant to mimic the way a column of bricks is organized in a cinder block wall.

Inhumation

locked wards cower in the distant gloom;
grated windows pattern all my dreams;
heavy haze distorts my heavy mood.

        my eyes are weary of watching faded lights;
        i wait throughout the dismal night to hear
        the call of a rooster just beyond my sight.

                silence is an ever-present drone;
                tempered springs betray my slightest move;
                grated windows pattern all my dreams.

these cinderblocks enfold my spirit in lime;
interred in tomblike walls of concrete halls,
my eyes are weary of watching faded lights.

        thoughts amid this broken darkness brood;
        restless motions lurk within the shade;
        tempered springs betray my slightest move.

                this is the crypt where my rotting soul is set,
                thus laid to rest beyond that twilight hail,
                the call of a rooster just beyond my sight.

time is fractured into mental shards,
strewn against the darkness of my view;
restless motions lurk within the shade.

        and the images betray my heart with lies
        that flash against my mind as crumbled hopes;
        my eyes are weary of watching faded lights.

                here i watch them phase in empty hues,
                omens of a future laid in brick
                strewn against the darkness of my view.

this lucid static is comfort of a sort
that’s lost with every sunrise when i hear
the call of a rooster just beyond my sight.

        black within the slowly rising brume,
        locked wards cower in the distant gloom,
        omens of a future laid in brick;
        heavy haze distorts my heavy mood.

                i dread the sound that will end another night,
                a sound that seals my fate within this hell—
                my eyes are weary of watching faded lights—
                the call of a rooster just beyond my sight.

Publication History:

The Awakenings Review — Summer 2007

The Phantom of Wheeler Camp

This poem attempts to describe an experience a friend had with a ghost while out backpacking on the Lost Coast Trail, north of Fort Bragg, California. After researching the old logging town of Wheeler Camp, the place where her experience began, and backpacking to the site myself a couple of times, I got the feeling the ghost she encountered was a child’s ghost.

Using what she told me, what I sensed about the area myself, and what I gleaned from my research into the history of Wheeler Camp, I managed the following.

The Phantom of Wheeler Camp

I

The Child’s Life

The ancient redwoods fall like crashing thunder,
Hauled to the clanging mill that pays for his evening meals;
Dismayed, he sees his refuge torn asunder.

Each morning rugged hands awake from slumber,
Heeding a daily call to climb the canyons and kill;
The ancient redwoods fall like crashing thunder.

How can a child teach his father wonder,
Who razes pillared hills, destroying enchanted halls?
Dismayed, he sees his refuge torn asunder.

The sentient forest beings fade in number;
Heavy machines befoul and ravenous saws defile;
The ancient redwoods fall like crashing thunder.

He dreams of ending all this senseless plunder;
His hope decays and fails, for no-one cares what he feels;
Dismayed, he sees his refuge torn asunder.

His world is carted off as squares of lumber;
Helpless, alone, reviled, he grieves to no avail—
The ancient redwoods fall like crashing thunder;
Dismayed, he sees his refuge torn asunder.
 

II

The Child’s Ghost

Suddenly all is dim; he wanders in psychic dream
Among the barren hills of senseless slaughter,
Broken by savage harm, now one with his blighted home.

In death he holds a grief which never falters,
Transformed into a sprite that floats where the saplings sprout
Among the barren hills of senseless slaughter.

The loss has crushed his heart till nothing can soothe the hurt,
For every old-growth tree was slain for profit,
Transformed into a sprite that floats where the saplings sprout.

Two thousand years of forest-song, melodic,
Vanished amid the moist and constantly shifting mist,
For every old-growth tree was slain for profit.

Visitors sense his ghost, a subtle and somber guest,
An apparition vaguely seen then faded,
Vanished amid the moist and constantly shifting mist.

His anguish grew as all he loved fell wasted;
Suddenly all is dim; he wanders in psychic dream,
An apparition vaguely seen then faded,
Broken by savage harm, now one with his blighted home.
 

III

Decades Later

Eroding skid roads slowly change to forest;
Alders emerge from sleep and conifers climb the slopes,
Obscuring man’s destructive greed from notice.

A gentle woman dreams in the canyon shadows dim;
Her heart is touched by something lost in torment,
And shaken by the gleam, her spirit succumbs to gloom.

She wakes and walks beneath the new-growth foliage
With heavy-hearted step on trails where, defined and steep,
Eroding skid roads slowly change to forest.

Dismay beyond her own fell just for moments
And brushed her troubled mind with losses forever mourned;
Her heart is touched by something lost in torment.

Her vision blurs with feelings strangely foreign,
A pain she can’t escape that distorts her mental scope,
Obscuring man’s destructive greed from notice.

A grieving spirit groaned within the molested ground,
Responding to the aura of her presence,
And brushed her troubled mind with losses forever mourned.

She stumbles home—her limbs grow weak and torpid—
Hardly able to cope where, as the semesters creep,
Eroding skid roads slowly change to forest.

The very heart of nature stands attendance;
Coyotes hold their poise and ravens serenely pose,
Responding to the aura of her presence.

So few would guess the ancients all were corded
To see these living shapes in place of their eldership
Obscuring man’s destructive greed from notice.

The air around her sighs the whispering subtle soughs
Of sorrows that a broken shade remembers;
Coyotes hold their poise and ravens serenely pose.

Her thoughts are framed with images emotive,
An endless foggy drip and trails where the branches droop;
Eroding skid roads slowly change to forest,
Obscuring man’s destructive greed from notice.

Long after mists have cooled the campfire embers,
A gentle woman dreams in the canyon shadows dim
Of sorrows that a broken shade remembers,
And shaken by the gleam, her spirit succumbs to gloom.

There are three poetic forms used here: Parts I and II are my 18th villanelle and terzanelle, respectively; part III is my 1st hybridanelle.