The Poet Obscure

He may not have the gift of high allusion,
quotes and references to texts obscure
recorded with compulsory profusion.

Perhaps he’d rather find a natural scheme
where words and metaphors come more sincerely,
requiring no exegetic scrawl.

He may not use strong images so nearly
as often as the modernists demand
is vital for a poem to be clearly

more than just a monologue of mind,
for he’ll make use of other strong devices
that let him deftly transmit all he means.

He may not ramble on of sacrifices
he’s made throughout the years, and what he feels
the world should know of all his strengths and vices.

He might instead decide he’d rather fold
his tales and meditations in the hearses
of dead and dying tenors to the fields.

He may not give his all enjambing verses
haphazardly across each random page,
every line chopped as he disperses

strong opinion, malcontent and pain,
for he may see the line bearing notions
beyond the norms imposed by donnish pride.

He may not feel romanced by Greek devotions
nor feel inclined to scatter Roman lore
throughout the lexicon of his emotions.

A broader range of histories may lure
his thought to ponder cultural connections
rooted in the loam of distant lives.

He may not share the common predilections
of using poetry as but a means
to push his politics in all directions

and further what agendas rule his mind,
for he may have no motive but to travel
through landscapes green with self-development.

He may not heed the rap of fashion’s gavel
and follow every statute set by fad,
accepting precedents as laid in gravel.

He might be more inclined to stray afar
from sooty highways, trampled by convention,
on subtle paths that lead to mystic finds.

He may not raise his hackles at the mention
of making use of meter, maybe rhyme,
filled with indignation, rage and tension

to think on prosody, semantic rules,
for he may sense mysterious potential
swelling deep beneath that censured realm,

waiting to be seen as quintessential
to evolutions ever influential.