Company

Playing with some thoughts of romance. I’m always loath to take the mainstream approach to romantic poetry, if I approach it at all. And I’m learning, through my practice with the trisects and a study of the interpretations they elicit from my readers, how to use depiction to lead the mind in the direction I’d like it to go without my having to cram explicit thoughts into my reader’s face like a tangle of rotting guts.

Company

come
   join me here in darkness
   let your lips speak back
     long thin shadows
   let your touch brush away
     tendrils of haze

come
   let us meditate on stars
   fixed in double panes
     which fade to the slow
   approach of opal hues
     the zenith moon

come
   we can listen to the sudden
   rooftop rap of acorns
     as they call out their
   little reminders of towering
     greatness outside

come
   let us study the red
   diodes of time together
     silent motions that
   push with magic force
     toward nascent dawns

regret

Regret is a powerful force of emotion, but it is not easy to depict in poetry. I once left someone I loved to be with someone I was infatuated with. Who knows why we do such things. Years later I found myself looking back on that decision with savage, ravaging pangs of regret.

regret

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

You may have noticed that the subject is not approached in the usual manner here. Throughout the years, I have been admonished over and over to “just say what I feel” when writing poetry, as if just saying that I have regrets, that it hurts, and talking about what happened to cause them is somehow poetry. It’s not. No matter how I chopped up the lines, this could never create a poem; it could only create prose that’s been chopped into short lines.

Poetry is in part the art of expressing such feelings using only depiction so that he who reads will be overcome by a sense of empathy and relation without ever being asked to empathize or relate. A poem on a subject such as this should manage to completely avoid ever saying anything along the lines of, “I feel regret,” or “I regret XYZ.” This is the job of prose. The poem, if successful, should awaken that regret within the reader as an emotion he can own for himself without ever being told to do so.

In the case of this poem, I use the title to create the expectation of a normal gush of chopped prose on the subject of regret only to seemingly evade the expectation entirely, leaving the last stanza to bring the title home in an entirely jarring and unexpected manner—like the thrust of a dagger.

Little Bastards

As I walked with a friend through Low Gap Park yesterday, I felt a sudden, sharp pain on my left hand. And I looked down to note a yellow jacket biting and stinging all at once, just trying with all it’s infinitesimal might to take down the colossal human.

I snapped my wrist once, and it was still latched on tight. I felt the stinger pierce deeper. I snapped it a few frantic times in succession and managed to shake it loose, probably flinging it hard to the ground and knocking it woozy.

These little demons need no provocation. My hand still hurts. My whole left arm has been itching as if from poison oak, though that’s beginning to dissipate. What motivates these creatures???

Little Bastards

Black and yellow
  like hazard signs
    or street-side urgings
  they whiz past a
    compressed package of
      flying road rage

They masquerade as
  relatively gentle bees
    but instead of nectar
  they work at flesh
    armored scavengers
      of rotting meat

They fill their wings with
  wild sounds of wrath
    every sidewound motion
  a burst of vitriol
    twisted little words intent
      on intimidation

And when you fail to
  flail dance and run
    they find a quiet spot
  grip with six stout legs
    and send their hateful venom
      throughout your veins

Protoculture

During my teenage years, I was a hardcore fan of the Robotech Saga. My teen years were trying times for me, in just about every possible way. My life was under the control of the Los Angeles Juvenile Courts, and I was locked up and subjected to endless involuntary chemical abuse like a lab rat. I was robbed of my potential through this process, and by the time I ran away as a 15 year old, I would have to spend the rest of my life reconstructing what I could of my damaged mind.

This poem depicts the role the Robotech Saga played in influencing me to take a stand against this abuse, which I did by running away and facing an entirely different, yet more controllable, set of dangers. Protoculture is the substance everyone was after in the series, and which was used to power the hyper-transformative “robotechnology”.

Protoculture

mysterious and eternal
            you shot me among the stars
    folded my mind across the unknown
        and for the first time
                    i felt the stainless grip
                of chains and shackles

and i began to tear my flesh
            bruise my bones
    crazed with a wordless desire
        snapping chains against their mounts
                    pain now only a reminder
                freedom or death

imagination was reborn
            behind my glaze
    my soul transformed over and over
        a veritech dodging heavy fire
                    a guardian swooping the foe
                a battloid launching wild salvos

somehow i sensed a resonant power
            a massive generator of hope
    giant invaders sought to capture or destroy
        deep in my battle-scarred fortress
                    and ripping free of my blood-caked bonds
                i reeled and stood my ground

Stardust

We are stardust, the stuff of stars. So everything we experience is star stuff. Our feelings, our hopes, our dreams, our pains, our losses, our deepest sorrows—All stardust. Even infections and malignant growths are the stuff of stars. Everything is rolled up in the same karmic stream of coming and going.

Stardust

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Finale

The subject of death and birth has been on my mind for as long as I can remember. Here I play with the idea of transmigration, but from a nonlinear standpoint where the self is lost and only the karmic momentum carries forth. So, not reincarnation, but something else and something more subtle.

Finale

Dreams have faded into wondering
All hopes have ceased to hold meaning
The shadow of my diffusion draws near
There is no need to cry for I know
Time is without meaning
And that which I am cannot be lost

This point of presence though drifting long
Shall fill a meaningful empty space
Of an existence not yet fulfilled
And that which was diffused in mist
Will condensate from the void and rain
Into the womb of a new beginning

Reunion

In 1999 or so I had a vivid dream where I met my father briefly in the City of Necropolis. A few years have passed since then, but I still remember the dream vividly. Seemed like it was time to reflect that memory into a poem.

Reunion

i met him once
in another plane
beneath pale blue sky
surrounded
by cold grey towers
older than time

i remember
walking by myself
down archéd hallways
stretching long
sullen and dim
devoid of life

life lived not here
though it did pass through
in its erring quest
to fathom
what it all means
this strange journey

i met him here
where corridors crossed
through ages brooding
we alone
held in our gaze
one another

his face showed pain
fathomless concern
i saw not in life
but here now
in this city
Necropolis

we did not speak
though thoughts in balance
poised long on his lips
unable
to form one word
from his pained heart

not one thing moved
in this agéd place
where motion and time
stood frozen
as in silence
our gazes locked

i saw his pain
his longing to know
how i was doing
in absence
of his own life
he took from me

Publication History:

Blackmail Press (web-based) — Spring 2006