Unrealized

I think the greatest tragedy one can experience is to become ever so slightly aware of his or her creative or professional potential, only to have any chance of ever achieving it ripped away. This has been my experience as a poet, and no other pain I’ve endured comes close to comparing. For me, to develop my potential as a poet requires the time and attention of a career profession, yet I am forced to work for a living, which leaves my creative potential sheered from the light and rotting in the soil.

Unrealized

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

I have often contemplated suicide as the only way to escape the torment of knowing I have this potential to realize while not having the freedom to pursue it—For the quarter-measures afforded by the trifling free-time left at the end of a workweek are grossly insufficient. To live as potential unrealized because it has been made unattainable by the structure of society is in many ways worse than death itself.

reality

The greatest tragedy I know is not being able to realize ones creative, academic, or professional potential after becoming aware that such potential exists. Not everyone is mentally and/or psychologically geared to survive in a cutthroat world while at the same time pursuing a creative interest. Most jobs demand a great deal of mental energy and psychological involvement to such a degree that there is no energy left at the end of the day for anything but recovery and recuperation. For such people, life ended long before the day they actually died.

reality

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Thanksgiving Night

Normally, I avoid writing poetry that’s focused on things like Thanksgiving or Christmas, or any holiday. It’s just not the sort of thing that tends to interest me. However, as Thanksgiving day approached, I found myself pondering what Thanksgiving day, a day when most families come together and reconnect, would be like for the kids who live at the group home I work at.

I actually had my own Thanksgiving days in group homes. In fact, group homes not unlike the place I’m working at. Then there were the two Thanksgivings I endured as a runaway teen. So I have my own memories to draw from in trying to bring the hidden voice of these kids to the world. This is my 21st terzanelle.

Thanksgiving Night

A long cold wind blows down the long brown hall.
The lights are dim. The night man gently paces,
and one by one we drift beyond brick walls.

We AWOL through our dreams and greet the faces
that make our stomachs sick with love and dread.
The lights are dim. The night man gently paces.

Outside our doors the floor creeks from the tread
of memories, like ghosts within the halflight,
that make our stomachs sick with love and dread.

We’ve eaten much, and yet there looms a hunger,
an emptiness that writhes amid the gloom
of memories, like ghosts within the halflight.

We stir the darkness in our broken rooms.
We’re full, for well we ate to stuff our sorrows,
an emptiness that writhes amid the gloom.

The heater drones, yet chill seeps to the marrow.
A long cold wind blows down the long brown hall.
We’re full, for well we ate to stuff our sorrows,
and one by one we drift beyond brick walls.

Confounded

Before starting this poem, I spent several days reading up on various subjects that I felt pertained in some way to tensions and circumstances that not only led to the demise of my marriage, but my choice in women and the types of relationships I get into in general. Subjects included attachment theory and related disorders in adults and children, including some of the methods employed to help children and adults overcome their “attachment disorders”. Along with this I read up on human bonding, age disparity theory, and even read a little about the limbic system, amongst other things—Just things I wanted to know about.

This lead me to reflecting on the nature of play in relation to my early and mid childhood “attachment traumas” and realizing that I’ve never experienced what’s referred to in attachment theory as a healthy “secure attachment”. Secure attachment is what allows a child to feel safe exploring and playing in ways that are constructive and developmentally sound. If there’s some problem with the child’s attachment system, then play becomes more reactionary than natural due to the lack of a secure attachment base to return to. A lot of this stuff made sense to me and jives nicely with my own reflections.

Looking back, I was able to remember enough to realize that one of the first casualties of my childhood was play and playfulness. I was a very serious child, and I tended to use play to express my general state of anxiety, distrust, and ambivalence, destroying my toys and those things I would make with them—with building blocks and Lincoln logs for example—rather than letting them stand awhile, and then tearing them down for the sake of building something else. I didn’t build things for the sake of seeing and enjoying the creative fruits of my labors; I built them for the sake of their destruction.

This was a mode of expression, an enactment of my inner state—reactive play rather than constructive natural play. So, I meditated on this and then wrote my 20th hybridanelle.

Confounded

The stones that should have formed a stable base
  were shifted out beneath your primal needs;
    the wood that should have framed your living place
        splintered from the weight of bitterness and hate
            and left you wailing naked in the wind,
                  ambivalent at best and doubting every trust.

Tremors filled your soul with rolling dreads,
  so that your own creations, wrought with care,
    were shifted out beneath your primal needs,
        reduced to disarray in manifest dismay
            as wooden joists and girders in your mind
                  splintered from the weight of bitterness and hate.

And as you grew, you found yourself unsure;
  you stacked your Lincoln logs and building blocks
    so that your own creations, wrought with care,
        were never meant to last and fell to every blast
            that leveled self respect and left you stunned,
                  ambivalent at best and doubting every trust.

You strove to transfer fundamental shocks
  throughout your play; depicting fell effects,
    you stacked your Lincoln logs and building blocks
        and with profound expression smashed at your discretion,
            every symbol housing hope destroyed,
                  splintered from the weight of bitterness and hate.

Those first potentials of your intellect
  were swept away by rage and disregard;
    throughout your play, depicting fell effects,
        your structures each collapsed as inspiration lapsed
            until you grieved the wreckage of your hand,
                  ambivalent at best and doubting every trust.

And now you limp through life disabled, scarred;
  the stones that should have formed a stable base
    were swept away by rage and disregard;
      the wood that should have framed your living place
          rotted from neglect and left you derelict,
              dwelling in the ruins left behind—
                  splintered from the weight of bitterness and hate—
                        ambivalent at best and doubting every trust.

Endure

Life can take some unexpected turns, and the path to which we have dedicated ourselves may lead through every kind loss and tragedy. But in the end we must simply endure, for life isn’t always easy or fair, and the potential for discovering new meaning and value lies always just ahead.

      Endure

      The path may wind up slopes of ankle twisting shale,
            and over ridges overwhelmed with loss;
yet each step carries on through triumph and dismay.

            The path may weave through swamps and belching bogs,
through alpine heights where acid springs bleed lethal streams and ponds,
            and over ridges overwhelmed with loss,

      only to drop through valleys baked barren by the sun,
            until it rises up again to lead
through alpine heights where acid springs bleed lethal streams and ponds.

            The path may shrink and seem to disappear
through thickets barbed with venom thorns or leech-filled undergrowth
      until it rises up again to lead

      through places not unlike the sorrows known before
            and on through every emptiness and pain—
through thickets barbed with venom thorns or leech-filled undergrowth.

            Through crackled desolation, blasts of rain,
      the path may wind up slopes of ankle twisting shale
            and on through every emptiness and pain;
yet each step carries on through triumph and dismay.

Rain

This poem, my 19th hybridanelle, is inspired by a series of storms that passed through Southern California when I was in my early teens, probably ten or eleven years old. There were a series hurricanes blowing over Hawaii at the time, and they were so big that they spun off storm after storm into Southern California—And I remember them as waves of storms.

Rain

Come, lend your rolling cover; shade this dry cracked ground,
conceal the tragedy of broken years,
and dim the raging colors that siege a weary mind;
ease the pressure from the pressing blue,
dull the stainless cobalt’s razor hues
which vivisect perception like a blade.

Subdue the cubist concrete, the painted slats of wood,
the swaying glass and steel that mock the day;
come lend your rolling cover; shade this dry cracked ground
with a half-light suited best for ravaged hopes
and gray the glaring cruelty of the sun;
dull the stainless cobalt’s razor hues.

Gather up your mass and spill your shadows down
across the crawl of long distempered hours
and dim the raging colors that siege a weary mind,
dissevered from the rush of tragic signs;
raise from out the waves your phasing layers
and gray the glaring cruelty of the sun.

Immerse this arid air in contemplative mood
until the asphalt mirrors every minute;
come lend your rolling cover; shade this dry cracked ground
where seeds have rarely sprouted into life;
grant a brief reprieve from endless drought;
raise from out the waves your phasing layers.

Fill the world with stillness; play that quiet sound
which puddles every lane with rippled moments
and dim the raging colors that siege a weary mind,
electric bright beneath cerulean drapes,
the overwhelming crush of open skies;
grant a brief reprieve from endless drought.

Break this barren view with drifts of coiled wind,
and let your blistered vapors calm each instant;
come lend your rolling cover; shade this dry cracked ground
and dim the raging colors that siege a weary mind,
trapped within a frozen summer-scape;
ease the pressure from the pressing blue,
the overwhelming crush of open skies
which vivisect perception like a blade.

My childhood was dry and barren in many ways. Barren of education. Dry of hope and potential. I watched it slip away for lack of resources. And then my brain cracked from all the drugs I was forced to take since I was eight, and I ended up institutionalized as a ward of the court from twelve until I ran away at fifteen.

They don’t prepare you for life in these places. What they prepare you for is a life of utter dependency upon the system. If you break free from this in any small way, then this is a degree of freedom, escape, success. I pretty much had to chew off a leg to escape the steel-jawed bear trap of the system—so in a sense I’ve been twice crippled during the process of getting free. Needless to say, as a result, it’s not so easy for me to fit in and be a good little cog in the societal machine. But I’m told this is part of what makes me “unique”, as if this were a good thing.

Rain was my balm during these years, even as a runaway. Knowing full well my sleeping bag wasn’t waterproof, I’d welcome the rain when it came, with something like a sense of joy, or perhaps it was a kind of serenity. I usually found a way to shield myself enough to stay relatively dry, and thereby warm. Sometimes I didn’t and I became a shivering wet sponge by morning. Yet it was my balm, always my balm. Everything seemed so stark and rigid in the full light of day, overbearingly clear. So clear it scrambled my thoughts into confusion. In the half-light of the rain I’d find myself, even as an eleven year old, just at peace.

blindspot

My 7th trisect poem. Segment one is focused on the thunderhead, or supercell. This is the metaphor for the “thing” that has blinded all sense of foresight for me my entire teenage and adult life, at least since I was 13. I’ve always been amazed by how some people can see a desk job, and through it “see” a four bedroom house, a Benz, and a paid-off mortgage in 30 years, complete with wife, kids, a dog, and a picket fence. All I’ve ever seen is this thundering cyclone. Similarly I find it amazing how some people can look at a pile of wood and see a shed, a new business, or a planter garden, while all I tend to see is just a bunch of wood—and the thunderhead. So, this is segment one, “Erubus”, the realm of darkness and obscurity personified (not to be confused with night—that’s different).

Segment two focuses on the narrow road—in this case the road of life, specifically my life path, or “calling”, as it were, which I do my best to follow.

Segment three focuses on my interaction between this road and the ever-present thunderhead which looms on the horizon (and often much closer in the mind’s eye), sucking “the long horizon from the mind”. So the process depicted here is that of obscuration, brought on by a life of personal defeat and dehumanization.

blindspot

erebus

a million million shades of gray
swim between the land and sky
absorbing every detail into mist

many-jointed shoulders haunch
hulking up against the dome
to scatter shadows out across the earth

amorphous legs traverse the realm
labored with colossal strides
gaping forth an omnipresent maw

and in its belly rumbles deep
the acids of uncertainty
which churn the world into obscurity
 

calling

laid with crumbling asphalt rock or dirt
a rarely traveled path meanders far
across the scapes of possibility

beneath the canopies of ponderosa
along the stony course of waterways
amid the yawn of jagged desert peaks

the way of freedom weaves by dusks and dawns
a twisted uroboros colored earth
wrapped across the contours of existence

boiled in the depths of crawling storms
it rises writhing sharply into sight
a tired trail of chance and destiny
 

presage

colors fold into a distant haze
an open road to somewhere fades from view
lost in many-layered nimbus plumes

long cascading booms convey
a wall of nearing emptiness
which sucks the long horizon from the mind

this narrow road unfolds and turns
to meet the turbid banks of doubt
which cling to every curve along the way

weary legs and blistered feet
lurch and falter on the path
yet swing forever onward toward the void

Opened

Not everyone has your best interest at heart. Some people will treat you like an emotional science experiment, and if you’ve become emotionally involved with such a person, I feel for you. It sucks.

Opened

I’ve been split with a rib spreader
     in my sleep
          awakened to agony

My chest won’t close again
     anguished nipples face the wall
          a red fist pounds dry air

Tears ripped from my eyes
     can’t wail back the rift
          and seal the wound

Muscles spasm in vain
     against the stainless grip
          pinned to a shiny table

Helpless fingers clutch
     themselves back until bruised
          fingernails peel back the skin

Where is the surgeon?
     where is the nurse in scrubs?
          who will remove this awful grip?

Whitewater

We’re all caught up in the stream of consciousness, the madly rushing stream some of the old Zen masters would refer to as “mind”. Such is the nature of samsara. It’s rough, but life’s rough. Existence is rough. Being is rough. There’s no escaping the roughness so long as mind moves. And since I don’t have a clue how to go about stilling mind.

Whitewater

we’re caught in a turbid flow
        you and i
    and we must learn to swim
both or die

the banks are high and torn
        rip-rap roots
    churn the heaving surge which
leaves no bar

ahead a canyon booms and
        we are bound
    to shoot its foamy rocks and
shoreless pools

snags menace every feeble stroke
        trunks and boughs
    broken into maenad nests of
tooth and claw

no raft will lift us safely through
        arms and legs
    are all we have to navigate this
wrathful flood

gather up your will and swim
        peel your eyes
    watch the movements of the stream and
tread the wake

beyond these tangled weave of bends
        we may find
    a white sand beach of clarity where
moments rest

Little poems like this can be good for playing around with imagery and exploring different ways of bringing an object to the mind’s eye using words.

timelines

Things change over the years. We grow up and away from childhood and any abuse endured therein. If we’re lucky, we one day come to realize that we now live in a different timeline, one where those traumas are but dreamlike memories only half recalled.

timelines

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Hush

Residential homes and psych wards aren’t always the best place for a child, no matter how out of control he or she may seem. No, many of these places, with the Nurse Ratchets that work there, are little more than psychiatric death camps.

Hush

i remember silence
 walls made of glass
   mattresses of chain-linked steel
 even dreams were impenetrable
cemented in concrete

you dared tell me
 this is all i would ever know
   poison in my veins
 mold across my eyes
brittle cracked nostrils

one day strapped to a bed-frame
 i saw when i closed my eyes
   that you weren’t so formidable
 your skin fell off in ribbons
and you choked bubbling blood

years passed
 but i learned to quell your violence
   to relish the scent of tea leaves
 as i sit with the world
your silence only half remembered

Publication History:

The Awakenings Review — Summer 2007