Dreamscape

Reflecting on samsara, dukkha, impermanence, maya, and a recent dream, I found myself writing this rather abstract poem.

Dreamscape

splinters of lightning split the dark
   a billion thundering flashes
       lifetimes come and gone

       death has swallowed
   how many times
with its gaping fine-toothed maw

a suck of water
   a rush of loss
       oblivion

       don’t question me
   i have no answers
but i sense a certain permanence

the shape of lost lives
   enters into me
       splitting my sleep

       silhouettes flash in moments
   five shiny black claws tear past my ribs
and i wake bleeding anguish

did i know that loss
   those claws have taken something essential
       why can’t i name the sobs

       tissues harden around the tear
   even the wound is blurred with doubt
by midday

though the memory is lost
   the feeling remains
       swirling in blood-mist

       i know i am dead
   i know i am living
i sense they are inseparable

The Man with the Scanner

There is an unusual personality who frequents one of the coffee houses I like to go to. His presence is always disruptive—Not just to myself, but in general. He brings a police scanner with him, sets it on the table while he drinks his coffee, and plays it very loudly so that everyone can hear from all parts of the store.

The Man with the Scanner

His face is smug, arrogant
    Ghoulish and gray against the high-backed café chair
He watches rain drool down picture windows
    Listens to the popping drone of a scanner

His features are fixed in a cold state of rage
    Bitter malcontent gouges grooves in his skin
This seems to make sense
    For one who brings a scanner to a public café

What tragedy has scarred his mind?
    No-one sits near him
Avoiding his belligerent gaze
    The harsh sound of his scanner

License plate numbers fight their way in
    To darken this bright little café
Calls to dispatch for ID checks
    Shoulder their way into the room

He is alone in this place
    His only companion a little black box
Hollow voices churned in darkness
    Poured like cement into the frame of his soul

Stormlight

As a runaway teen, one of my rules of thumb was to never sleep where anyone I had gotten a ride from suggested I sleep. I didn’t like the thought of strangers knowing where I would be during the night. I had no way of knowing how twisted such people might be, nor the sort of twisted company they might keep.

As I wandered the States for nearly two years, I normally slept out in the open, up high out of view of any nearby roads, or in dense woods or thickets. But sometimes it rained. I didn’t have a tent, though in retrospect I can see that it would have made sense for me to have at least toted a tarp around.

It was usually when it rained that I took my biggest risks in choosing a place to sleep. With dry weather, it was easy—just bed down away from people someplace out of view. But rain changes the situation. The human urge to stay dry is based on the fact that the body loses heat much more easily and rapidly when wet. And aside from this being unpleasant and discomforting, there’s also the very real threat of death from exposure.

Still, I generally considered the threat of being discovered as greater than the threat of freezing to death. People act on unpredictable urgings. They can leave a victim with fewer options than a little cold and wet might. So it would have to really be storming, and cold, before I’d consider passing the night in an abandoned, or empty, house. Much less a place suggested by the last person to give me a ride that day.

This poem, my 3rd hybridanelle, attempts to depict the experience of passing the night in just such a house. I didn’t sleep well that night—not so much because of the intensity of the storm as because a total stranger knew my whereabouts that night.

Stormlight

Frantic flashes illustrate my view,
        Random moments shot into the light;
                Thunder crushes every hope anew.

        I pass the night in a frail abandoned home,
                A weary vagrant teen deprived of will
                        Awaiting the dawn within its quaking hold.

                                Visions strobe throughout the empty room,
                        Shadows briefly singed by every bolt;
                Frantic flashes illustrate my view.

                        I curl within my bag against the wall;
                There’s nothing left for the winds to rip from me,
        A weary vagrant teen deprived of will.

Etched amid the suffocating gloom,
        Monster clouds roll black against the night;
                Thunder crushes every hope anew.

        I’ve struggled to grasp what life could ever mean
                As memory and mind are stripped away;
                        There’s nothing left for the winds to rip from me.

                                Leafless limbs are drawn in sepia hues;
                        Stark against the darkness of my thought,
                Frantic flashes illustrate my view.

                        I watch and listen, numb and half-aware,
                My slumber but vivid streaks of fitful dream,
        As memory and mind are stripped away.

Anxious waiting constantly resumes;
        Shocked repeatedly from fugue to doubt,
                Thunder crushes every hope anew.

        I try to manage what rest I can redeem,
                Protected from the storm by shifting frames,
                        My slumber but vivid streaks of fitful dream.

                                Desolation roars the whole night through;
                        Forces seem to tear the world apart;
                Frantic flashes illustrate my view;
        Thunder crushes every hope anew.

        Uncertain shadows pose in countless forms;
                I pass the night in a frail abandoned home,
                        Protected from the storm by shifting frames,
                                Awaiting the dawn within its quaking hold.

Inhumation

This poem, my 2nd hybridanelle, reflects on what it was like for me to be “inhumed” at the Camarillo State Hospital between 13 and 14. There I spent a year on the children’s unit, a locked ward with cinder block walls and heavily grated windows.

The title is meant to convey the sense of being killed in spirit, mind, and soul as well as the sense of being entombed (inhumed), alive only physically. I also wanted it to hint at the sense of being dehumanized (inhume—inhuman—dehumanize—inhumation), though this is not a denotive definition for the word. The scheme of indentation is meant to mimic the way a column of bricks is organized in a cinder block wall.

Inhumation

locked wards cower in the distant gloom;
grated windows pattern all my dreams;
heavy haze distorts my heavy mood.

        my eyes are weary of watching faded lights;
        i wait throughout the dismal night to hear
        the call of a rooster just beyond my sight.

                silence is an ever-present drone;
                tempered springs betray my slightest move;
                grated windows pattern all my dreams.

these cinderblocks enfold my spirit in lime;
interred in tomblike walls of concrete halls,
my eyes are weary of watching faded lights.

        thoughts amid this broken darkness brood;
        restless motions lurk within the shade;
        tempered springs betray my slightest move.

                this is the crypt where my rotting soul is set,
                thus laid to rest beyond that twilight hail,
                the call of a rooster just beyond my sight.

time is fractured into mental shards,
strewn against the darkness of my view;
restless motions lurk within the shade.

        and the images betray my heart with lies
        that flash against my mind as crumbled hopes;
        my eyes are weary of watching faded lights.

                here i watch them phase in empty hues,
                omens of a future laid in brick
                strewn against the darkness of my view.

this lucid static is comfort of a sort
that’s lost with every sunrise when i hear
the call of a rooster just beyond my sight.

        black within the slowly rising brume,
        locked wards cower in the distant gloom,
        omens of a future laid in brick;
        heavy haze distorts my heavy mood.

                i dread the sound that will end another night,
                a sound that seals my fate within this hell—
                my eyes are weary of watching faded lights—
                the call of a rooster just beyond my sight.

Publication History:

The Awakenings Review — Summer 2007

Pestilence

Faith and conviction are powerful forces of human nature. They can work to heal and sustain an individual in the face of terrible trauma and adversity. But there is a dark side to this force. In the hands of dogmatists faith and conviction become a pestilence, rained down upon those who do not share their beliefs or who cannot adhere to their ideals.

There was a man who committed suicide. He was deeply religious and he strove with all his might to be what he was told was a good Christian. But when his personal writings were found after his death, it was discovered that he was homosexual. Outwardly there was no way to know. He was married with two children. Inwardly he lived in shame and terror. Shame at being something the dogmatists told him god despised and terror at the thought of spending eternity in hell. Eventually this torment drove him to his end.

I was on the outskirts of this disaster as it unfolded, listening, observing. Eventually I found myself overcome with rage at those who sent him to his death, and so I wrote to them. This, my 19th terzanelle, is written to all those who would use their dogmatic self-righteousness to destroy the hearts, minds, and spirits of others.

Pestilence

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

dichotomy

As a friend told me about some of her personal challenges, this imagery came to mind. This is an acrostic of one of her pen-names.

dichotomy

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Pulp

Psychology has its merits—That is when the psychologist is knowledgeable, experienced, and compassionate. But, to my mind, psychiatry has very few merits, no matter how well-intentioned its practitioners may be. I have watched the infusion of psychiatric drugs destroy the minds of those around me, and it has also destroyed most of what potential I was born with and began to develop as a child.

Very, very few losses inflict as much pain and despair as the loss of ones own potential. I know. So, thinking such thoughts, I found myself writing this poem, my 13th terzanelle.

Pulp

they made his mind a molding mess
a slow and solemn nest of thought
a brooding storm of deep distress

confusion ruled his darkened heart
enraged at what his mind became
a slow and solemn nest of thought

as reason weakened and decayed
he bashed his limbs and tore his flesh
enraged at what his mind became

his anguish flared a bitter flame
when it would surge with burning force
he bashed his limbs and tore his flesh

he wished for death with yearnings fierce
a wish he never could perform
when it would surge with burning force

he longed to leave his broken form
destroyed by psychiatric drugs
a wish he never could perform

the poisons flowed within his blood
they made his mind a molding mess
destroyed by psychiatric drugs
a brooding storm of deep distress

Publication History:

The Awakenings Review — Summer 2007

Helpless

My infatuated fascination with the opposite sex began very early. There are many possible reasons for this, but I can remember even as far back as age four or five absolutely craving for the attention of a beautiful woman. If I had a class with a pretty elementary teacher, it would be impossible for me to concentrate on anything beyond fantasizing about close contact. Not “sex”, that didn’t enter into my thought process until much later, but intimacy nonetheless.

So this set the stage for a life of desire for that which cannot be realized—Or at best realized for only a brief period. For people change. No-one stays young and retains a youthful countenance and physique forever. I even find the plastic “beauty” of older women who have changed their features artificially to be utterly creepy and unsavory.

So why? It is a curse I have not found a way to lift. I would give anything to be able to just appreciate a woman’s beauty as it changes through age, seeing only with my heart. But, sadly, this has never been possible for me, however much I may hope for it. I envy those who have this ability or natural inclination. So, as I reflected on all of this, I found myself writing this poem, my 13th villanelle.

Helpless

My heart is moved by that which wastes away;
My soul is rendered incomplete by beauty
And yearns in vain for that which cannot stay.

An urgency eclipses simple joy,
And caught within its raging rush unruly,
My heart is moved by that which wastes away.

How often I have heaved the heavy sigh,
A heedless hope that heats within profusely
And yearns in vain for that which cannot stay.

Today, as when a half unconscious boy,
Enslaved by aches that govern absolutely,
My heart is moved by that which wastes away.

My sense is charmed by figures slight and spry,
The fairest features doomed to rot unduly,
And yearns in vain for that which cannot stay.

I’m plagued by wonton wants that just destroy,
That urge with fiendish force until, all gloomy,
My heart is moved by that which wastes away
And yearns in vain for that which cannot stay.

Silent Consolements

Maybe there is something in the spirit of nature itself that reaches out to nurture those children who are born into the absolute worst of conditions. Maybe it is not just an instinctive will to survive that pulls such newborns through scorn, abuse, and repulsion.

This poem, my 5th villanelle, reflects on the notion that there are spirits within the wilderness, even though it may have been completely “developed” over by man, that reach out and try to protect on some level the nascent sentience of newborn human life when it finds itself festering, neglected and malnourished, in a puddle of terror, neglect, and disease.

Silent Consolements

Vaulting crags called down to one, who cried within the crib,
Squalling shrieks of unmet need that hailed to no avail;
Voiceless hopes were whispered on the rasping desert winds.

Scents from coarsely pillared halls would sooth with subtle kiss;
Lakes like mirrors mimed the stars from vales in mountains tall;
Vaulting crags called down to one, who cried within the crib.

Shadows pooled in pulseless ponds where aimless fancies swim;
Hints of sagebrush shrugged the dark where with a fragrant lull
Voiceless hopes were whispered on the rasping desert winds.

Streams in yawning canyons raced beneath their tufting mists,
Leaping down cascading cliffs, and guarding every fall,
Vaulting crags called down to one, who cried within the crib.

Dawn and dusk each passed in turn with burning pastel drift;
Colors paused on peak and plain where passing all the while
Voiceless hopes were whispered on the rasping desert winds.

Life began in bleak despair, too deep for one to live;
Sorrows crushed a tiny heart, but soundless through the pall,
Vaulting crags called down to one, who cried within the crib—
Voiceless hopes were whispered on the rasping desert winds.

Conflicts

As I watched the invasion and occupation of Iraq unfold, I found it impossible not to read between the lines. American citizens had no say on the matter. The corporate-funded Bush administration saw an opportunity to profiteer, and did so without hesitation, remorse, or apology. For me it was impossible not to feel disgusted by it all.

Conflicts

Enlightened nations strive to finalize the fighting;
Corrupted countries seek to formalize the fighting.

Our eyes are shocked by sparks that fabricate a tyrant;
Plantations build machines that specialize the fighting.

In armchair comfort, watch desultory announcements,
As new and modern methods socialize the fighting.

These stucco walls are filled with countless indentations
Where urban drive-by shootings normalize the fighting.

In air-conditioned rooms with ornamental index,
Fat pashas point to maps and analyze the fighting.

We must protect our rights to unfettered consumption;
Such senseless words are used to moralize the fighting.

There waving on the wind in arrogant defiance,
The stars and bloody stripes now symbolize the fighting.

Those ancient words of peace are converted for battle;
Religious reasons rise and catalyze the fighting.

A single life, Zahhar, exemplifying stillness,
A thousand years from now may neutralize the fighting.

This is my 119th ghazal.

Emaciation

I am going through the poetry I’ve written since ’92 and organizing their titles and properties into a database, as much to learn about Microsoft Access as to organize my writing for keeping track of submissions and for other purposes. When I read this over, I realized it might be worth having here on my blog. I was bold to compare myself with Rumi and Hafez in this ghazal, especially considering my abilities at the time I wrote this, but it does have its redeeming qualities.

Emaciation

Long ago, before her depths fed mad conglomerate needs,
This blood-soaked sand was fertile land that met more moderate needs.

Winds rise up and desert storms destroy ten thousand homes,
And hungry ghosts feed on decay to glut degenerate needs.

All short-sighted might, the Great Machine consumes the world,
Proclaiming all the while to meet the world’s agglomerate needs.

Liberation brought their bane of plunder, ruin and rape,
For raging hearts were finally freed to sate intemperate needs.

Crimson streaks of blood now stain the bedding of our hope,
And fifty bullet holes present the West’s adulterate needs.

Time will sweep the cross and crescent both to forgotten dust;
No-one will remember their strife or their commensurate needs.

Hafez and Rumi, were they here, might have written the same;
You are obliged, Zahhar, to plead the poor’s confederate needs.

This is my 118th ghazal.