Stirrings

The first four lines came to me in a flash the same day I learned of the terrible destruction and loss of life wrought in Japan on March 11, 2011 by one of the strongest earthquakes ever recorded and its subsequent tsunami. Then nothing. Perhaps I was just stunned by the magnitude of it all, even from the relative comfort of 5000 plus miles away. But I’m trying to wrap up old ideas right now, so I figured it was time to do something with those four lines, for better or worse.

And so here we are, my 9th Shakespearean sonnet.

Stirrings

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Nai No Kami is the name of the Japanese god (kami) of the earthquake, or at least one of them. Watatsumi, respectfully referred to as Ōwatatsumi, is one of the great kami of the sea.

There are actually four more seed lines inspired by this same tragic event. I was later able to flush them out into another sonnet form poem, which I titled “Aftermath”.

pierce

This is a rewrite of a haiku I just stumbled upon from November of 2001.

pierce

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

I didn’t at all understand the haiku back in 2001, a lifetime ago. I somewhat cringed as I opened the file to have a look at what might be inside, thinking, “Oh haiku. Right. Like I even knew what those were eleven years ago.”

But I surprised myself. I may not have known what they were back then, but it would seem that I at least had an inkling. It was immediately apparent that I had something almost worth blogging, but after a few edits, this became obvious.

The Early Cherry Blossom

The idea for this poem came to me about two weeks ago, which I thought could really blossom with a little patience and care. So I put the other poem down that I’ve been picking at for a few years and got to work. This poem represents what I think of as an “open metaphor”, in that what is depicted here should bear different meanings for different people.

The Early Cherry Blossom

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

Gitche Manitou

Gitche Manitou is an Algonquian (Amerindian language group encompassing many tribes) phrase meaning all of “great spirit”, “great mystery”, and “great entity”. Manitou on its own subtracts “great” from these transliterations. This poem explores these three aspects of Gitche Manitou, and then some—Hence the title.

Gitche Manitou

  Before the first breath stretched my lungs,
  I felt throughout my entity a
  resonance that filled the mind with
  song as soft as morning drizzle.

Light touched my gaze with stained glass colors,
a struggle to understand amorphous
shapes that drifted like clouds and vanished
amid this song that grazed awareness.

Slowly, shapes became still and acquired
purpose and meaning—a name for each;
even the curious shape that stared back from
every silver reflection was named.

Seasons passed; the sidewalk laurels
cast their sundial shadows across long
years, expanding and shrinking with time as
understanding grew with the bones.

One day I began to seek the source of
this subtle song that brushed my skin like
static electric potentials—a nameless
song that moved like a wind from nowhere.

Though I could hear like waters rumpling
in darkness this abstract song, the stream
itself could not be found, nor the place
from whence its waters issued forth.

And thus it went as my long walk began,
I followed this ubiquitous sound without so
much as a clue from whence it came
and found only earth, the sky, and the stars.

For everywhere the song was heard;
where neon, steel and concrete rise up
from desperate shadows it was heard, and
where tempest waves besiege dark cliffs.

Where gray stone monuments stand silent
guard in fields of grass it echoed
like a dirge, and where rotting sideboard
peeled away from homes abandoned.

Where old growth sugar pines sway tall in
coastal alpine vales it shimmered, and
where winds etch patterns in swaying stands of
maize as far as the eye can see.

Where granite peaks protrude through clouds
it whispered ever so softly, and where
the sagebrush dream in the quiet light of
a half moon drifting in opal darkness.

For years I listened, searching on,
this strange and subtle song reechoed
always through my thoughts, yet never
nearing once its secret spring.

And so this dreamlike quest for insight
slowly waned for lack of headway
until more practical concerns
took hold, demanding all attention.

For in a world where everyone’s an
expert and none admit to knowing
nothing on any subject broached,
I learned no clues about this song.

No clues, but yet I hear it still,
all around—in everything from
stones within the riverbed to
red bricks mortared in the wall.

The song lifts up from dragonflies,
June bugs strong upon the air,
houseflies on the windowsill, and
silver moths that circle streetlamps.

It burgeons forth from hardy black oaks,
aspens shimmering through the air,
blue spruce towering near the ridgetop,
and alders lurking by the stream.

It emanates from grand paulownias,
little cloud-like stands of yarrow,
trillium gleaming in the forest,
and roses rioting by the fence.

It even wells from manmade things,
the favorite coffee cup, the car,
the painting in the living room,
the lamp, the nightstand, and the bed.

All things sing their beingness
amid the beingness of all,
yet no thing gives away the place from
whence the songs of all things rise.

The song remains a mystery,
an all pervasive mystery
that resonates a sentience,
a presence, and an intellect.

And as the years advance I learn
to just accept it as it is; for
this song that manifests us all
is that great mystery within.

Tropic Rose

Joy, my wife, had asked me a long time ago if I would write a poem for Rose, one of her closest friends from the Philippines, but at the time I didn’t feel ready or capable of fulfilling her request. This is partly to do with the fact that Rose is an extremely special person and so I would not want to just write some poem for her, but a poem that actually did some degree of justice to her spirit, heart, and life.

After completing “Desert Rose” at Joy’s request for a friend of hers here in Reno, I realized that I might at last be ready to fulfill her original request. In fact, that poem is partially inspired by Rose as well, hence the title. Now this one is for Rose herself.

Tropic Rose

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general. However, the above player can still be used to listen to it.

I used the rosa grandiflora cultivar called “cherry parfait” as the model for this expanded metaphor. This is my 6th sonnet.

Desert Rose

About a month ago, my wife asked me if I would write a poem for her friend, Jerome, titled “Rose of Reno”. She has a very close friend in the Philippines whose name is Rose, and she has come to think of Jerome as being her American counterpart. The reasons for this are of course many and personal, so I’ll leave them unsaid.

I agreed to write it, but changed the title to “Desert Rose” because I’m thinking I might write a sonnet for the “Tropic Rose” as well at some point—For balance. Actually I think Rose and Jerome would really like one another. They are both remarkable individuals who have endured much and found meaning and purpose under difficult circumstances.

Desert Rose

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

I used the rosa floribunda cultivar called “ebb tide” as the model for this expanded metaphor. This is my 5th Shakespearean sonnet.

Frostlight

Sometimes when critiquing a poem, I’ll try to exemplify what I mean by using unique imagery to replace a more common exposition. I’m not religious person, but what I’ve attempted to depict here is the common idea of “a delight in and a desire for the divine”, which has been stated a couple trillion times by a couple billion individuals throughout history. So, what could such a thought look if it were purely depictive?

Frostlight

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

the misty sun

Beyond the elementary description of a scene and some personal feelings common to most people, nature poetry is actually not the easiest thing to write. The main challenge comes upon attempting remove oneself from the scene along with any personal feelings, using only imagery itself to convey such feelings through depiction. This poem was written to exemplify this process, so far as my abilities permitted, for someone who had asked me to critique one of her nature poems.

the misty sun

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Midwinter on Huffaker Lookout

Huffaker Hills is 251 acres of treeless, desert public land in south Reno set aside for pedestrian use. From there, Huffaker Lookout—a pair of lower hills—spurs out into Washoe Valley, separating an industrial park from the residential area in which I live. On its way south, Hwy 395, a six lane freeway, bends out and around the westernmost hill, just scraping its base.

Midwinter on Huffaker Lookout

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Desert hills have always had a way of luring me up to their stony crests.

Cherry Drifts

There are a handful of things that I always find myself looking forward to throughout the year. One is the budding of black oaks. I’ll go on walks and drives just to look at black oaks as their leaves bud and fan out, like little purple feathers at first, and before you know it a deep green canopy.

Another thing I look forward to are cherry blossoms. I was staying at my employer’s house in the hills west of south Reno when I wrote these. A month earlier I got to watch the cherry trees bloom in and around Ukiah, California. Then I got to see them bloom again in Reno, like clouds of light, as spring came to the higher elevations. Yet on the mountain where I was staying it still snowed some.

Such surroundings are bound to inspire the occasional proper haiku.

Cherry Drifts

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.