The Boulder Climber

My “shift partner”, as they’re called where I now work, is an avid boulder climber. Now, these aren’t the boulders that might jump to mind when you mouth the word in your thoughts. Oh no, we’re not talking those waist-high gray things that might roll out onto the highway in the rain or those head-high bits of granite you might find near a stream bed. No—By “boulder” these particular climbers mean these great big lumps of stone that loom up over your head by as much as 50 feet.

Since my shift partner talks so much about boulder climbing during the wee hours of the night, I thought I’d try my hand at molding the little-known sport to a metaphor and see how that goes.

The Boulder Climber

She is the first to climb this route through life,
  to feel her way through all its nuances
  to where the summit slopes and vanishes
away from view above the concave cliff.
The way ahead is sheer—without relief;
  she reaches, probes, and feels for blemishes
  within the rock to serve as purchases
from which to make her way through bruise and chafe.

Patience is the key above all else
    to moving gracefully from hold to hold;
  she contemplates an overhang, then leaps
  to grab a ledge beyond her body’s reach;
    her feet swing free, but then she hooks a heel
and muscles past the crux to higher realms.

This is my 2nd Petrarchan sonnet. My first was part III of “Coming Together”, which was also a synthetic ode.

Aftermath

One more in time for the second anniversary of the 2011 earthquake and tsunami in Japan. There’s not much more to say.

Aftermath

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

This is my 10th Shakespearean sonnet. The other poem written on this subject a couple of weeks ago was “Stirrings”, also a sonnet.

Stirrings

The first four lines came to me in a flash the same day I learned of the terrible destruction and loss of life wrought in Japan on March 11, 2011 by one of the strongest earthquakes ever recorded and its subsequent tsunami. Then nothing. Perhaps I was just stunned by the magnitude of it all, even from the relative comfort of 5000 plus miles away. But I’m trying to wrap up old ideas right now, so I figured it was time to do something with those four lines, for better or worse.

And so here we are, my 9th Shakespearean sonnet.

Stirrings

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Nai No Kami is the name of the Japanese god (kami) of the earthquake, or at least one of them. Watatsumi, respectfully referred to as Ōwatatsumi, is one of the great kami of the sea.

There are actually four more seed lines inspired by this same tragic event. I was later able to flush them out into another sonnet form poem, which I titled “Aftermath”.

Spark

This, my 5th synthetic ode, has proven itself a difficult thing to write. I’m not really sure why. I think maybe it has to do with the insights behind the content being somewhat beyond the reach of words—Of language.

Spark

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

The metaphor I’ve attempted to explore here is the coalescence of being and the spark of beingness.

Understanding

This somewhat tells the story of a poem I started in December of 2010, which may now be close to completion. I was only able to get moving forward with it when I finally accepted that I am not currently able to manifest its full potential, so I’m settling for the best I can manage instead. The idea is that hopefully, one day, I will be able to come back and revise it to its full potential. But, it is also possible also that the words simply don’t exist for what I wish to accomplish, hence this simple “understanding”.

Understanding

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

One for Each

After learning about the mass killings in Newtown, CT, we are keeping vigil tonight. I think we all are.

One for Each

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

to rest

This is a complete rewrite of a ghazal written in November of 2002. For some reason, I titled that original ghazal “*poof*”. Yes, with the asterisks. Having entered every title of every poem I’ve written in my adult life into a database, I can safely point out that this is the only poem I have ever titled in such a manner. I must have been feeling apathetic the day I completed the original. I’m not making “*poof*” available here because it’s really not worth sharing.

This rewrite extends the ghazal by one more couplet and the meter by two feet. It extends the rhyme to include partial consonance while keeping the radiff (or refrain) and it trades the use of my pen-name for allusion to one of its meanings in the final couplet. And, of course, it is now something I feel more comfortable sharing with my readers.

to rest

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Since the original has been completely rewritten, this becomes my 134th ghazal.

Lady of the Snows

Our Lady of the Snows is one of the oldest representations, or titles, for the Virgin Mary. There is a rather stunning stained-glass portrayal of her in the Saint Thomas Aquinas Cathedral here in Reno. I’ve tried to capture some aspect of it here in this tanka.

Lady of the Snows

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Morning Novena

At Saint Thomas Aquinas Cathedral here in Reno, there is a morning novena held most days of the week at 7am. Once in awhile my wife will ask me to take her so that she may participate.

Morning Novena

This poem has been published in my book an inkling hope: select poems, available in Kindle and paperback formats. Out of consideration for those who have purchased a copy, I have removed it from this post and online viewing in general.

Not always, but sometimes I’ll go in and sit next to her as she prays the novena and, out of respect for others present, I’ll repeat the motions, but while observing as well. It’s not the same as attending mass. At novena there are much fewer people, mostly women, who carry with them that unmistakable air of purity and faith that only a life-time of spiritual devotion can instill. I much prefer to attend novena with my wife, actually, than mass, for at novena I can almost smell the spirit of faith wafting through the air, a sort of acceptance and trust that almost vibrates through the tall open space. For some reason this appeals to my animistic sense in a way that I can really enjoy and relate to.

The Offering

I find mass and communion to be a very interesting thing. Not being religious myself, I find myself observing and analyzing with great curiosity when I attend with my wife. There is a certain beauty to the proceedings that is difficult to put into words. Perhaps tanka are ideally suited to the attempt because they allow one to isolate and portray poignant bits and pieces thereof. Years ago I would have considered myself religious, but this was slowly supplanted by an ever-growing and broadening animistic view of my surroundings, life experiences, and the world and universe at large—An animism I have only recently struck a sort of peaceful equilibrium with.

The Offering

art deco saints stand
in stained-glass archways over
rows of tilted heads
in the muralled alcove arms
lift up a golden chalice

Communion

Not being religious, I just observe during communion when I join my wife at church. Winter has finally arrived here in Reno. I noticed during services that just about everyone had their jacket or sweater on, some plaid, some checkered. All colors present very much reflected the season—Reds, dark yellows, deep oranges, shades of brown.

Communion

faint waves of heat curl
from small yellow flames like stars
at the altar’s edge
autumn colors sift through pews
to water the bread of life